Editor @ Large . . . Jasper Conran

aving got over the excitement of spotting the Sugababes on front row, we settled into watch Conran watch his magic.
All futuristic, Jasper sent his models down the runway in various shades of red, black, cream, fuschia and orange often clashing the colours together. The collection used a lot of lazer cutting to create cut out panels that were either replaced by barely there chiffon or pulled away and pinned up to create structure. 

The collection was very structured and had an almost origami feel to it at times. Jasper created the most amazing structured knits that curved up over the models backs and created strong, angular shoulders. 

Tops were often full and draped at back or worked into egg like cape shapes that engulfed the models like shells, with pillar box cape slits for arm holes. There was an amazing petal dress that had layers and layers of nude petal shapes again referring to origami. 

Many of the dresses had an almost art deco feel as foiling, pvc and mirrored mosaics were used to embellish the garments. 

This technique was used on silk, chiffon and wool creating a multitude of textures. If you didn't catch the show, check it out the pictures! Literally out of this world! http://fash-pack.blogspot.com  www.twitter.com/fashpack

Editor @ Large . . . Elliot J Frieze

We dashed across to Victoria House for the Frieze show and after having hovered in fourth row we were quickly bumped to prime front row seats, it's all about connections darlings.
The show was a mixture of mens and womenswear, making a nice break from the gorgeous slender ladies we've been seeing all week.
With a definte 1940's flight wear inspiration Frieze effortlessly mixed suiting wool with panels of gorgeous tan leather (a definite trend for AW10). The strong palette of the darkest navy, tan and grey was chic and elegant and slotted in nicely with other designers chosen colours this week.
For womenswear jackets were tailored to perfection following the bodies contours and often fluting out at the bottom to add a feminine charm to an otherwise masculine item. Frieze sent down the skinniest pencil skirts that had buttons embellished vents, adding that extra attention to detail. There was a gorgeous leather suit and some delicately draped wool dresses that would make both great occassion and work wear (for the uber stylish). There was also a return to the double breasted suit for women, a trend that would look ever so hot on the streets of NYC as well as London.
Menswear was again excellently tailored and the wool looked beautifully soft. Jackets were cut long, with a single button fastening, while trousers tended to have a more relaxed cut, slighlty bagging out from the knee, cinched in by extra chunky socks. The trousers almost had a grown up, jogging bottom feel to them. Jackets were often edged in leather piping which added a contrast colour and buttons were always a contrast tan to either grey, check (grey/brown) or navy wool.
A beautifully executed 40's style collection that will have both boys and girls excited to see winter again.

Editor @ Large . . . Betty Jackson

Betty Jackson is without a doubt always worth getting up early for. Perched behind Erin O'Connor and Hilary Alexander I had a fabulous view and I was so overwhelmed by the collection I can't even tell you what the music was!

The collection started with trade mark Jackson, superb felted wool coats and jackets. For AW10 Jackson has opted for oversized patch pockets as the main feature, that grew and formed partially outside of the garment and overhung the hem.
Jackets and coats flowed between tailored styles and cropped jackets that borrowed from cape like styles, with trench like features. 

Trousers were all rather loose fitting, mainly with pleated waists, either all the way round or flat front trousers with pleated sides. The harem pant remained a popular style with dropped crotches in a number of colour ways and fabrics. Leg fittings were loose and on occasions featured calf crops.

Volume was given to trouser bodies by clever pleating and fabric manipulation.
Sleeve shapes fell in line with other trends seen this week with leg of muttons (this time tres over sized) and in built sleeves that rounded out from the body creating a cape like effect.
Skirts came in a all kinds. Mini leathers, pencils with side ruching detail and full on 70's style a-line, almost cardboard like in its shape.
There were plenty of easy to wear shifts with asymmetric detailing and drapes to create style and my favourite was a min tanned leather shift dress, that makes the leather trend available to a wider audience. Playsuits also featured in various printed silks.

Print played a huge role in the collection and there was a mixture of abstract gingham style prints (that had a safari feel) in brown/cream and a red/white combo. Also popular (as with others) was a winter, 70's style retro floral print, which was style in mix and match colourways and adorned silky skirts and loose fitting, pleated trousers.

The colour palette was huge, with gold, navy, grey, cream, red, tan, dirty blush pink and a gorgeous dirty greenish gold all making an appearance.
Fabric choice was varied too and Jackson effortlessly mixed corduroy, silk, wool, felt and leather. Denim was also popular and has made a surprising return to the catwalk this season, Jackson did a D & G and mixed various shades and weights within one outfit. 

A truly outstanding and wearable collection with plenty of attention to detail, adding to my wish list ... Dirty gold hairy wool coat and retro florals.
http://fash-pack.blogspot.com www.twitter.com/fashpack

Editor @ Large . . . PPQ

Omg, what a night! I had desperately tried to make it to Jacob Kimmie only to be stopped by the entirely useless system we call TFL! This in turn made me miss Jasper Garvida (but thankfully my trusty assistant was there and will write up posts shortly. I did however miss Ann Sofie Back with no back up and shall remain gutted until further notice.

So with that I headed back with Marc to Somerset House with plenty of time to spare before the PPQ show. I was super excited as these tickets arrived late last night by courier! 

We queued up, had our tickets check several times before finally making it into the show space. The room was heaving and the paps were having a field day with a front row that included: Pixie Lott, Jodie Harsh, Elliot Tittensor, Larry Lamb and Kaya Scodelario and these are just the few I spotted! 

The show itself was fantastic and possibly one of my fav so far. It skipped between 3 distinct decades. 

There were some swinging sixties cuts in the form of cute mini dresses and a gorgeous 'Pringle/Chanel'-esque cardigan that was trimmed in gold. 

70's style Ossie Clark bias cut floor skimming frocks and gathered, chiffon, bell sleeves with tiny buttons; and 80's Madonna mini dresses, all body con and peplumed.

The collections palette was black and gold and stuck to this throughout, allowing for experimentation in fabric and structure. The use of only two colours also meant that the garments could really do the talking and we weren't distracted from the beautifully cut trench coats and gathered waist peplums with just the right amount of volume. 

It was commented how 'early Gucci' the collection felt and it did. It was very sexy and provocative and had just the right amount of oomph and glamour. 

The gold was rich (it reminded me of chocolate wrapping) and the tone of black changed depending on the fabric. 

PPQ experimented with everything from the yummiest looking fur collared coats (the trench half draped in fur being a particular fav) and created structure through panelling their dresses mixing silk and satin with ease. 

I loved the strapless, sweetheart neckline dresses that are bound to be a hit with all girls about town and the three tiered cape and the dress with its own caplet had me literally drooling!

Ultimate piece for me though was the first set of dresses on the catwalk. Which saw velvet, strapless minis adorned in upholstery gold tassels, that is for me the ultimate trimming; What's more is that it looked unbelievably chic!  

(I'm off to my local haberdashery).

Editor @ Large . . . Bora Aksu

I always love Bora Aksu and today was no exception. Avsh Alom Gur was sitting behind me (I was on front row naturally) and as I pondered why we aren't seeing his creative flair this season, the show began. 

Bora Aksu showed his usual futuristic flare with twisted knits, draped chiffons and silk dupions all in fantastic array of sugared pink, blue and camel. Aksu effortlessly mixed web knits and silk tulle ruffles to create structure and texture, utilising this technique to create shoulder details and emphasise waspie waists.

 
Like earlier shows, brocade in metallic tones made an appearance and textured marble prints created depth to garments. Skirts bell shaped while dress shapes borrowed bubble and tulip hems and shoulders were strong. Dress panelling was again order of the day and these body con tops seem here to stay. Central panelling in an hour glass shape in nudes and silks showed how perfect the pattern cutting was.
Bora is one master dj of fabric mixing and created a stunning futuristic yet on trend collection.

Go to http://fash-pack.blogspot.com and www.twitter.com/fashpack for instant fashion gossip

Editor @ Large . . . David Koma

Having run from Prophetik to Aminaka Wilmont, to find that we'd missed the show so it was another run back to where we started! David Koma was unsurprisingly rammed and we queued outside for ages! When we finally got inside the show was pretty much full and I was literally the last person they let in! 

I couldn't see a thing so we climbed up on a ledge (oh what we fashion folk do) to watch this master work his magic. The collection was based in black with metallic hues that added the detail. Like his last collection Koma used embellishment to create curves and surface texture with python style leather stripe being twisted into origami like shapes on shoulders, hips, sleeves and bust lines. 

Dresses were super body con with panels to give added detail and structure to the pieces. The dresses were all about simplicity in cut with the features being created in the playfulness of the leather straps. A strong and cohesive collection that will no doubt please A listers the world over. 

Editor @ Large . . . Prophetik

It seems to be that medival is the theme of day one as the Prophetik collection followed suit with huge puffball shoulders, leg of mutton sleeves and cinched waists that ended up in full, floor length skirts and dresses. It had all the inspirations of a witch hunt and menswear was layered with cropped waistcoats, long pleated back frock coats and skinny leg trousers tucked into riding boots.

Clothes featured deconstructed construction with pintucks and drapery and while parts of the collection were quite formal, there were plenty of commercial off the should jumpers, t shirt dresses and jean jackets.

Colours were very USA, with blue hues, red, black, white and brick tones.
Like earlier there was plenty of velvet setting the collection bang on trend. While there were avant guarde pieces, overall it was a very commercially viable collection, with strong menswear.

Kinder Aggugini

Inspired by Juliette Recamier, a french woman who stood up to Napolean I. Juliette was a beautiful accomplished woman with a real love for literature.

The collection is based on a beautiful feisty woman who lives like a true rock star...

The show was amazing and set us up for a busy day! The french influences ran through the collection in their ornate prints in navy and cream.

Military style cardigans were worn over long dresses, looking effortlessly elegant! The military style reflected in the coats, which were stunning! The cuts were clean and sharp and buttons were big and bold.

Kinder Aggugini put his own touch to the much loved cape (seen a lot in shows this fashion week) by having flashes of colour from the lining.

The models hair was slicked into a centre parting and some wore small 'cut out' berets on their heads, adding a fun touch to the show!

Vauxhall Fashion Scout - Ones To Watch

Eudon Choi

This collection brought together urban chic, with simple minimalist make up and strong eyebrows. The collection was in soft browns, creams and greens.

The leather jackets carried such attitude due to their high collar and definite shape. The parkas and coats were long in length with leather buckle strap detailing as a fastening.

This was all contrasted with beautifully tailored pieces with contrast panelling and padded shoulders.

David Longshaw

This collections brought an 80's influence due to a circular print in brown tones which was lifted with accents in an electric blue.

Shoulders played an important part, with them being the focus in stunning boleros and high shoulder pads.

Strong contrast panelling made the collection really strong and dramatic, but this was soften with pleated chiffon draping on across the body.

The hair was sleeked back given this collection a meticulous finish!

Askh

Featured both men and womenswear, we were wowed with beautiful knitwear in soft pastel tones of browns, pinks and creams. The knitted jumpers were embellished across the shoulders with small shimmering shapes that looked like little pieces of porcelain. The knitwear was contrasted with neutral toned suede leather. The leather dress had panels of chiffon with string detailing, giving an edwardian and bondage characteristic!

Florencia Kozuch

South American hats were worn against chunky knit cardigans with thick black leather belts, that featured a horn in the middle.

The knitwear was a 'candy floss' appeal due to its soft and weightless character that made it so delicate!

The collection was very feminine and lady like, with tailored dresses, exposed at the back and formed shoulders.

Ones To Watch put on an amazing show, and these designers are truely ones to watch...

Danny Tang

Sitting front row, we were able to get an amazing view of this stunning collection and see Jade from Britain Next Top Model featured on the catwalk.

All the models had delicate pieces of lace on their faces, but all had different hair styles, expressing the models individuality.

The colour scheme was gun metal grey with vibrant red, such a dramatic contrast, tied together with a Latina romantic feel. The collection featured pleated skirts, long line waist coats, puff ball hems with netting over silk and the most amazing and elegant evening dresses!

The evening wear brought together Kang's 'Urban Victorian' inspiration, with lace collars that sat beautifully on the neck. The dresses were in a vibrant red juxtaposed with black lace or chiffon. The fish tail shapes fitted the body perfectly and brought out the elegance of this collection!

Charlie Le Mindu

Charlie Le Mindu impressed yet again with a collection of 'couture creations' made of real human hair, inspired by cults and religious secrets. The collection featured a lot of religious crossed that were worn on the tops of the models heads, making a definite statement!

Black and navy were the prominent colours, adding a depressing and macabre mood, but this was lifted with accents of aqua and green and blue glitter!!

The hair was dyed to look like feathers, with tones of greys and blacks. The hair was created into the most beautiful coat, that was edged in an aqua coloured fur. Stunning!

The hair was long, black and straight, draping over the body whilst set against lace underwear and leggings. The hair was formed into very dramatic headpieces (one just like the beefeater!) Making this show unforgettable, and an amazing start to London Fashion Week!

Editor @ Large . . . Caroline Charles

Continuing the theme from Paul, Caroline had a stonking turnout. As usual she had divised her show into 4 sections, which seamlessly eased into one another. Set 1 'Metropolis Urban' took on winters much favoured monochrome palette and was accented but tiny hints of green in the form of skinny patent belts. 

Set 1 was all about easy work wear. Shift dresses both sleevless and cap sleeved featured and well cut jackets were cinched with eiter wide or super skinny patent belts. Obi belts (popular a few seasons ago) made a welcomed return to the catwalk, used to pull in and fasten textured wool blanket coats. 

Section one also featured a gorgeous wool jumper dress, with a polo neck and tulip cut front. There was also similarities with Costelloes collection as the vintage, rounded collar fur jacket reappeared for Caroline's collection, def a must have for AW10! 

'Rural Hobo' (set 2) had all the feel good of 40's Dig for Victory, a popular inspiration for Charles. There were flat riding boots, gorgeous leather and fur deer hunter hats and plenty of brown check suiting and tweed pencil skirts. Autumnal toned floral prints appeared on shifts and skirts and jackets were snug and tailored. 

Set 3 'Boho Cocktail' showed off the skinniest knife pleat skirts, calf length in moss and ruby red hues, coats again utilised the blanket shape and took on patchwork and brocade textures.

The final section was a Caroline Charles stapled and showed off her famous evening wear. The beading was superb as always and the collection came in a rainbow of colours (though nearly always based in black) and referenced the oriental stylings in its beading technique and stand up collars. There was also a return to velvet (popular this season at NY Fashion Week) with swinging velvet evening jackets (very androgynous in cut). The final section of cropped evening jackets were divine, almost like beautifully beaded art deco shrugs. 

Very rock chick. I do love gold!

http://fash-pack.blogspot.com www.twitter.com/fashpack for up to the min LFW gossip

Editor @ Large . . . Paul Costelloe

The BFC tent was literally full to capacity for the first show of LFW. Paul Costelloe, always the first off the starting blocks showed a truly trendy collection. The first section reminded me of medival punks. Gold brocade teamed with black leather leg warmers, huge leg of mutton sleeves, exposed zips and graduated hem lines (short at front long at back) made these girls the queens of the catwalk strutt! Hair was huge and rounded and eyes were kept smokey to give off a rebel vibe.
The collection swiftly moved from beautiful brocade to wintery checks in shades of black/grey and brown, really reminded me of highland winters and Scot heritage. Coats were cut in frock shapes and floor sweeping belted numbers gave off a slightly spy feel. Mini check dresses had leather bustiers again referencing the eighties. Skirts and coats also featured huge bell shape skirts, again mixing eighties and medival inspirations. The third phase of the collection showed of pink/purple retro floral prints and dark chocolate brown fur coats that had a real vintage feel. The final stage showed silver lames twisted into evening dresses and cut into androgynous jackets. Menswear popped up in the form of autumnal toned suiting and satin edged evening wear. A commercial but intricately designed collection.

Editor @ Large . . . Coolest SS10 Website

http://eu.wrangler.com/bluebell/#/collection

CHECK THIS OUT ITS AMAZING!

Editor @ Large . . . SS10 shoot

Last week we shot our main fashion spread for RANDOM SS10!

Danielle Foster and Alex Prinz from D1 were our victims for this freezing cold day in Dalston and poor Alex hasn't quite been the same since!

Shooting on the roof of a Dalston development we were exposed to the elements.

Clothes came from the likes of Rokit, Fred Perry and McQ as well as some divine Sportsmax by Max Mara.
I love this shot, the outfits are in total unison.

I wanted a shoe shot and bullied our amazing photographer Davide Sometti into getting my shot in the most artistic way possible!

The shots can be seen in the new issue of RANDOM out in MAY!

Editor @ Large . . . An Ode to Alexander McQueen

Many of you will now know that tragically Alexander McQueen committed suicide. This has been a year of 'celebrity' loss, but it's McQueen's disappearance that will hit me most.

I decided to go into fashion after seeing a video of a McQueen collection at the V & A. It was the moth collection, where he had made all his models bandaged and tortured souls. I was astounded. I remember standing there watching it, over and over, maybe for half an hour or more. There was such beauty and such pain, in perfect measure in perfect harmony. I understood it and was yet confused. I knew then that I wanted to work in fashion. I through myself into experimenting with wire clothing and randomness. I wanted to make it to his level, even though I knew I never would. I read everything I could on him, I went to his offices and spoke to people there, I was consumed by his clothes and wolfed down his brilliance. In later years I followed his work, I always watched the shows online and held the products longingly in store. I still have my McQueen jeans, which I never wore but will never bin. 

When I read he was dead (twitter, the power of social networking) I went straight on Net A Porter and bought an Alexander McQueen ring, i'll be skint for the rest of the month but I don't care. I had to have it. I may not wear it, I might just keep it in a box. My piece of a man that changed my life. Never underestimate the power of inspiration. 

McQueen wowed everyone the world over. A master tailor, a genius, a creative, someone who understood women's and men's clothing alike. 

McQueen was found dead today 11/02/10

RIP x

Editor @ Large . . . EDDIE

The other day I told you about Alex and mine adventure to Brighton to make the first ever music video for EDDIE

Here is the result! xx

www.myspace.com/eddiemusicuk

LCF MA 2010

Last night my fabulous assistant agreed to be my date to the LCF MA show. 

I was really excited to find the next best thing, as last years MA course delivered us Manjit Deu (now stocked in Harrods) and outstanding menswear talent (and now since last years MA one of my bestest buds!) Dimitri Stavrou. So I was pretty hopeful.

The stars really turned out, spotted included: Jo Wood, Mika, Jodie Harsh, Paloma Faith, Marina (from Marina and the Diamonds) & Keisha (Sugababes). Fashion favs including Vogue.com team, The Telegraphs Hilary Alexander (who  I got to sit behind and breath in the fashionable air) and of course fashion master Harold Tilman. 

I also bumped into last years winner Manjit Deu who was slightly mournful his crowning year was up and it was time to pass on the flame to another student!

MY winners:

BEST STYLING AND MUSIC - Soo Youn Seo:

Seo chose to dress each model in one single block colour and matching bob wig, making each model look like they were part of a packet of crayons! To top it all off the music was a remixed version of the Simpson theme tune!

This womenswear collection was bright and brash and totally perfect for stage performances and photoshoots. It reminded me slightly of Emma Bell collections but I loved the white tux jacket with sparkly lapel and the twists, drapes and strong shoulders. Not massively original the styling and execution made it very memorable.

FAV WOMENSWEAR COLLECTION - Nicole Murray 

I may be at odds with the judges on this but the only collection I desired to own and shoot from all 19 shown was Murray's. It was all class! Beautiful execution, delicious fabrics, exceptional bias cutting and totally cohesive. Many of the collections this time round were disjointed with excellent individual pieces but no overall range. Nicole however field me with faith! The skinniest cigarette pants, delicate tulle ruffling, furs and tassels, slinky skirts and soft silk shirts. This 40's look was simply divine. The colour palette of nude, bottle green and monochrome created a soft and relaxing collection that paid exceptional attention to detail. My personal fav.

THE MENSWEAR COLLECTION THAT DIDN'T WIN BUT I LOVED ANYWAY - Domingo Rodriguez:

This menswear collection combined tailoring and cable knits to created a very beautifully layered look. I loved the stone and chocolate colour palette that felt both wintery and wearable. The graduated tailored coats and jackets, cable knits and fur gilets had me bouncing in my seat. While the asymmetric leather jackets, waterfall draped front pieces and slouchy trousers (the new relaxed tailoring) allowed for a collection that was cohesive and utilised excellent layering pieces. A gorgeous collection.

FAV ACCESSORY - So Ra Kim:

Mickey Mouse ears have become quite a regular occurrence in fashion shows lately but I loved  

the glitter pair shown in Kim's collection. I'd like to rock them at fashion week please! get in touch.

THE COLLECTION MADE TO SHOCK - Merve Tuna:

 I may have just dismissed this collection simply as a stunt. I have no issues with using fur in fashion (yes I am evil), but as this taxidermy collection of Boars heads and fox bodies fashioned into arms etc travelled down the runway I couldn't help but worry that PETA were about to pounce and I may get paint on my DKNY!

Overall while this collection did make everyone sit up it didn't deliver. Great you got some dead animals but what you gonna do now?

A BIT DE JA VU BUT I LIKED IT - Steve Corcoran.

SS10 Burberry was all pastel satins and mirrored embellishment and while Corcoran translated this look to menswear it was undeniably similar to that of Burberry's SS10 womenswear show. Having said that it was definitely shoot worthy, jackets and suiting were excellently executed and I have it on good authority that the collection weighed a tone. Making it a winner in my book. Sadly however I cant get Burberry off the brain.

THE HIP HOP LOOK - Eliana Dimitriakopoulou

Need I say too much. The most outstanding use of fur, the models looked like yummy marshmellows and squishy balls of cotton wall. The dye techniques on the fur made this collection outstanding. It was however ruined by the fact that she only made coats and the girls wore metallic bikinis to cover their modesty. This did drive me to distraction as it cheapened the look. However if you are a fur wearer, this girl is for you.

THE (judges) RUNNER UP: Young Li Lee

I really liked the first piece that Lee presented. The detailing was so intricate, all the twists and turns made the models looked like wrapped presents or better still like winding musical notes. However not all pieces lived up to the detail of the first which detracted the overall joy somewhat. Evidently an incredible artist and a woman of capability I would've like to have seen the same detailing and extravagance lavished on the first piece run throughout. I also loved the leather draped gilet.

THE (judges) WINNER - Sven Hoppe

I had him earmarked as the winner mainly as he was showing last so this appears to be the trend for the running order (Manjit showed last too).

Sven's collection had a very Germanic feel and in fact Sven looked just like his collection (I love it when designers reflect their design ethos). The fabric choices were impeccable and infallible.

 Brushed wool suiting had the appearance of chain mail while wool jackets had latex panelling. THe colour mix of bronze, copper and winter grey was simply divine and the slouchy trousers followed the trend from majority of the menswear collections from the night. The mix of fabric and texture really grabbed the eye and the pieces were excellently cut and executed. A truly worthy winner of such a prestigious award.

MY WINNERS: Domingo Rodriguez and Nicole Murray (who are part of Harold T's scholarship fund) 

Editor @ Large . . . MUSIC VIDEO

Well I woke up to a blanket of white, where had all this snow come from? Yesterday it was nearly gone and then overnight the UK had been sprinkled with icing sugar.

Alex Prinz and myself had to make it to Brighton. Having spoken to hair stylist Simon Webster and lead singer of Eddie (Larissa) I was more determined than ever to make it to the shoot. 

We were shooting the video for Eddie's song Making Up and while I was styling Larissa and the boys, Alex had to play Larissa's on screen boyfriend.

We hooked up at Victoria and waited as the board said 'DELAYED'. We were giving it till 11.30am before admitting defeat but luckily 11.10am saw the train guy call for boarding and we were off. yes we didn't know if we would make it back, but hey I love Brighton I could so do with a mini break!

The train ride was smooth and when we arrived at Off Yer Head salon (the creative base for the shoot) Simon was busy giving a hairstyle that Gaga would've desired!

Liss looked HOT and once we had her in a customised tassel tee and bronze mini short shorts and PUMA McQueen boxing boots, she looked the business. With no make up artist (apparently it's easier to get to Brighton from London than Burgess Hill) Eddie's musical geniuses/management picked up the slack and painted the faces.

The boys wore PUMA McQueen and mainline PUMA and fell in love with their printed tees, hoodies and red PVC jackets. The band were ready to role!

Poor Liss had to walk in the snow in hot pants into a body building/boxing gym of slightly steroid-esque blokes (rather her than me) and the video crew were ready to role!

Check below for the second outfit change and pics!

EDDIE'S MYSPACE

Editor @ Large . . . Oh my it's 2010!

Sorry I've been absent, but with the festivities and all, there has been absolutely nothing too fashiony going on! However I will be back on the case on 4/1/09 and have already three meetings that day! So I'm bound to head back with some fashion fabulousness to blog about.

Just as a bit of news! FYI - RANDOM is going to print 4 times a year in 2010 and we will be launching a full online site! This means more features, fashion, music, celeb and total and utter RANDOMNESS!

On another note! Check out this months SUPER SUPER magazine as the advert I shot for Applebottom Jeans is in there! - YAY!

Hope everyone has an amazing year! I'm set to work on some really cool things this month so keep checking back for celeb shoot updates! We've hit the 22,000 mark so lets keep hitting up the numbers!! xxx www.twitter.com/fashpack