Fashion & Music From The Girls In The Know . . .

Skins pics in The Sun

2011-03-06T11:51:00.001-08:00

Our shoot for Fiasco Magazine (out on Tuesday) www.fiascomag.com got picked up by Saturday's Sun! On my birthday too! Woop!
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Gabby Young Video

2011-03-06T10:01:00.001-08:00

I helped Gabby out pulling a few extra bits for videos she was filming, here are the results.

Mr Start

2011-02-23T04:48:00.001-08:00

The husband of Brix Start Smith, Mr Start's menswear is all about the sleekest suiting in town. For A/W 11 there are deep blue velvets, double breasted dinner jackets and a host of tweeds and checks. Forest, navy, grey and black were the mainstays for the collection and the exquisite detailing on the jackets reinforce the growing reputation of this chic, East London based label. Pin-tuck, bib detailing on shirts was simply divine and we loved the styling of 60's style polo necks under suit jackets make a fab change from a shirt or tee.
We were also told that there is a womenswear version / smaller grading of styles in the pipeline, so watch this space girls!
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Christopher Shannon

2011-02-23T04:41:00.001-08:00

Christopher's show was packed, rather than the suited and booted look of this morning, Shannon's approach to menswear is a lot more dressed down and focuses on sportier separates.
Water resistant fabrics in draw string bottom tunics, loose fit trousers with performance fabric panels and slouch fit sweaters all made an appearance. There was lots of block colouring, with shirting consisting on several panels that made up colour and implemented the use of trimmings as a way of bringing in splashes of bright colour. Again there was that slight paisley/fair-isle style running through.
We loved the wet look back packs, that again used panelling and block colour to bring different tones and textures together. Monochrome, navy and creamy tones were accented with bright reds, yellow and green print to add a spot of colour.
Christopher's sporty, urban collection was a real treat and a great twist on the current 'suited' menswear trends.
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JW Anderson

2011-02-23T03:07:00.003-08:00

First show of menswear day and JW Anderson brought us suiting with a twist and lots of lovely angora knitwear.
Suit jackets with colourful print hoods and quilted sleeved bombers with shearling were order of the day and duffle style anoraks were waist short. Slim leg front pleat trousers were interchangeable with kilt inspired maxi skirts (yes skirts) that were actually exquisitely produced. Paisley silk prints in blue base and burgundy based came in soft separates and a rather fetching jumpsuit style.
Tweed frock coats were panelled with hoods and back 'kilt pleats', while shirting used angora knit panelling.
There was a lot of 'miss matching' and deconstructed panels that made the textures within the collection really interesting. With sharp tailoring details and quirky separates, a great start to the day.
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Fashion East - James Long

2011-02-23T03:07:00.001-08:00

James Long's womenswear collection, based on Native American Heritage was full of gorgeous knitted dresses and layering pieces. Classic mini dresses with tassel and frayed edges in cream, latte and red tones stormed that catwalk and knitted ponchos and unfastened cardigans were draped over the top. Ribs and fair-isle style knit techniques added texture and the collection had a distinctly Mark Fast feel.
A host of wearable, stylish bit cosy looking pieces, what could be better?
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Ashish

2011-02-23T03:06:00.002-08:00

Ashish was the last womenswear show for LFW and while the photographers pit let out a jubilant cheer, the catwalk began to fill with Ashish's sparkly creations.
We've seen lots of tweed and herringbone this week and Ashish had obviously had the same memo. The collection, heritage based took us on a sequined journey from Union Jacks to various hues of tartan. Taking note of hippy riots and current 'pop culture' there were slogan jackets and jumpers saying 'Hard Times', 'Holy Crap' and 'Teen Idol'. Knitwear, often layered over sequin dresses, tunics or slouchy trousers were ridden with holes and were in line with Ashish's distressed, glam, style. Ripped, bleached, jeans and kilt style minis were the un-sequined basics of the collection.
The favourite piece though was the Chanel style tweed jacket, created in sequins, but with real frayed pocket edges, fantastic. Will Ashish ever run out of things to sequin?
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Fashion East - Simone Rocha

2011-02-23T03:06:00.001-08:00

Child of London Fashion Week favourite, John Rocha, Simone showed again this season under the Fashion East umbrella. Picking up on a host of trends from the week, Simone's androgynous collection of skinny cut suiting and chiffon based shirting was beautifully tailored.
Nude, monochrome, coral and red gingham was the main palette and fabrics were mixed through the use of panelling within a single garment.
Shearling sleeves on a wool jacket and a shearling front pencil skirt were two of our personal favourites. Sheer, nude shirting used a bib like effect to introduce colour and covering more textured pieces on chiffon created an interesting effect. Furs and animal skins have remained a huge trend at LFW and Rocha managed to pull out key threads within the collection, a strong, second season.
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Fashion East - Simone Rocha

2011-02-23T03:04:00.001-08:00

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Alice Palmer

2011-02-23T02:59:00.001-08:00

Fresh from her finalist, Fashion Fringe show last season, Alice Palmer was back hitting the runway with her true to form rock aesthetic. Asymmetric knitted dresses with slashes, panel and deconstructed silhouettes came in a host of monochrome tones with splashes of khaki and latte for accents colours. Dresses both maxi and mini used folds and tucking to create volume and it felt like Alice was truly back on course this season making knitwear for the generations that parties hard.
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Pringle of Scotland

2011-02-21T06:01:00.001-08:00

With a front row that held the team from UK Elle, US Vogue and Tilda Swinton, this was a show to see and be seen at.
The huge catwalk stretched all round the room and the models had to strut super fast to get round it all.
The AW11 was a mixture of knit, leather and fur, perfect!
Tweed wool in monochrome tones in wide leg trousers, ponchos and capes were order of the day and caplets both alone and over macs in leather were feature heavily. Black, white, grey were accented with burgundy and turquoise and showed off in blanket wrap skirts, the winter version of the sarong.
There was again 60's and 70's vibes with shift dress with knitted sleeves. 70's fur bomber jackets in chocolate fur were bear like soft.
Sepia tone fair isle inspire knits were mixed with fur and stripes of printed silk that revamped classic, heritage shapes and styles.
A beautiful, wearable and exciting collection.
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David Koma

2011-02-21T03:06:00.001-08:00

Probably the longest queue I have seen since the start of fashion week at the BFC show space but deservedly so with the back to back show of Koma and Holly Fulton. David's collection was all about black body con with coloured fur pom pom's to accessorize. Staying true to form, leather of course made several appearances but it was the conservative high neck body con dresses that were the shock factor. Each with a different variation in cut or length and trimmed with different shapes of fur, the palette remained black throughout as the base with splashes of colour such as blue, green and red. Taking a slight twist, some shifts dress were panelled with tweed including the same palette of colours. The construction of every single piece was amazing and although the collection screamed more sophistication than sexy rock chick, there wasn't any disappointment.
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Jayne Pierson

2011-02-20T08:59:00.000-08:00

Jayne's collection was Parisian rock with lashings of leather, lace, PVC and velvet. The opening pieces featured a technique that made the leather look like fish scales, adorning cropped bomber jackets that were teamed with body con pencil skirts that fish tailed at the knee. Wool over coats were square and hung from the shoulder, leather and pvc yokes were the key feature detail.
All the black was accented by dove grey and cream striped silk that added a softer look to this Victoriana look. There was a real juxtaposition between oversized and body con silhouettes, with puff sleeve headed tops being drawn back in at the waist with a layered corset.
There was a lot structural elements too and skirts had triangular piping fed in so that they stood away from the body, again emphasising nipped in waists.
Lots of leather draped trousers and ruched side seam velvet lbd's added more wearable elements. Parisian, gothic romance at its best.
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Jasper Conran

2011-02-20T08:58:00.001-08:00

Like Paul Costelloe, there was a distinct 60's vibe at Conran. The collection started with a pebble like, monochrome print on shift dresses, as well as black and cream pea coats and frock coats. Dresses were short a-lines with front pockets.
60's muddled with 70's as skinny polo necks and slim trousers seamlessly moved into head scarves and 'Avenger' style, short jumpsuits in navy and chocolate brown that feature low slung, waist belts.
Leather, PVC and reptile style leather was mixed with suede and fur to create a rich collection that looked expensive. Square and rectangular panelling was used in appliqué format and was graphically very 60's in style. There was a skirt made of overlaid leather tabs that has been a feature in other collections this season. Leather moved into silk shifts adorned with sequins and black, cream, navy and chocolate were joined by purple berry tones and soft dove grey and silver.
A move away from last seasons more 'twee' collection it felt like Jasper was truly back on form.
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Charlie le Mindu

2011-02-20T08:57:00.001-08:00

Charlie's show was unsurprisingly crammed. After his rave reviews last seasons fashions 'hair' man had a lot to live up and he did not disappoint. The best way to describe the collection was 'Neo Nazi, Lady-like Chic'. Not the usual combo right? The first model was naked and covered in 'red paint'/'blood' and was swiftly followed by models in clear and nude latex and pvc, lace and hair all in muted creamy tones that really emphasised the 'blood' and graffiti on the clothes and bodies. Hair was big and crazy with red dip dyed mohicans and white painted 'army sergeant' hats, with pearl braiding. White hair was used like tassels along sleeve seams and the back of jackets. To add the signature Charlie look. The final piece, an eagle head sculpture that nearly knocked the model out and was distinctly 'scary bridal' as the lace was dip dyed in wet red paint that attacked some of the front row and was truly a master piece. Charlie will surely only increase his hype next year as he becomes one of the London scenes most talked about designers.
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Osman

2011-02-20T08:55:00.001-08:00

The Osman show was rammed to the point where half the seated folk were standing to; with a crammed front row, it's simply testament to how much Osman has become one of fashions 'darlings', becoming one of the seasons must-see shows.
Wide legged trousers, asymmetric tunics and full skirted 50's style dresses ruled the collection. Tightly nipped in waists on dresses in elegant monochrome with flashes of violet-blue. The palette was varied with red, coral, turquoise, lime and hot pink all flashing in between all black outfits. There were lashings of cream that 'wintered' up this jolly toned look. Tunics over trousers in heavy wools and textured silks and plenty of long trenches were key pieces and sure best sellers.
Again like else where in London, leather and fur were much used, with leather tops and dresses and fur sleeved 50's frocks. Little coloured lined caplets were really cute, while striped dresses in hot pink and black were fun party looks. The crowd went crazy for Osman and it seems his fans are yet again satisfied for another season.
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Felder + Felder

2011-02-20T05:32:00.001-08:00

A new space for this years fashion week at Northumberland Avenue. This time round showing was Felder Felder and was clearly a keen one to watch with the huge queues outside. Finally seated and the heavy bass line music starts and already I know I'm in for a treat! A futuristic palette of black, royal blue, ivory and silver as well a combination of fabrics such as chiffon, wool, lycra, ostrich feathers and by far the most used... Leather. The collection had 70's inspiration with high waisted high rise shorts, leather all in ones followed in the same fashion but silver leggings brought it right back to today. There was a lot of emphasis on the female shape as most pieces were body con or revealed a lot of skin. For many moments I forgot it was an AW/11 collection but was reminded by leather jackets and wool double breasted coats with ostrich lower halves. Lastly long chiffon dresses with strappy and racer backs softened the collection however the adjective that remained on everyone's lips was 'sex'.
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Bora Aksu

2011-02-20T05:07:00.001-08:00

Another full house at the BFC show space and rightly so with a sophisticated armour style collection from Bora Asku. A very winter palette of grey tweeds and black leather detail however emerald green spiced it up. A uniform vibe was felt with satin blouses teamed with tweed wide leg trousers however influxes of armour were key to the collection. Panelled bodices and leather skater skirt dresses emphasized the female silhouette. Lastly pieces of lace and beading for embellishment gave the last final touch of femininity! Think uniform, think attitude, think Bora Aksu.
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Jena Theo

2011-02-19T04:43:00.001-08:00

Jena Theo gave us an awesome show at the On/Off studios. Its collections such as these that make the trek between locations worth the while! The models rocked it out on the catwalk sporting the layered look making the collection very transitional. A subtle palette of creams, greys, stone and bronze was displayed through jersey cardigans and sweaters as well as floor and midi length dresses giving the feel of medieval inspiration. Hair and make up also enhanced this factor with black bands painted across the eyes and plaited hair framing their heads. Draping and asymmetry added a gentle touch to the collection whilst skinny jeans, rouched leggings, thigh high socks and chiffon transparent shirts all incorporated sex. Chunky and cable knits took the collection further into the season and away from the transitional feel. Jena Theo included a number of fabrics throughout the collection such as jersey cottons, chiffons, silks, wool; but it was oversized statement jackets in denim and leather patchwork that stole the show for me. Both easy on the eye and easy on the skin fabrics, feminine elements and a medieval/ rock n roll vibe; Jena Theo was a success. P.S we're loving the baby bump!
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Prophetik

2011-02-18T08:35:00.000-08:00

We always know we are going to have fun at Prophetik, starting with live, violinists stomping down the catwalk, followed by singing and swiftly followed by live music, there was also a big collection of clothes.
Prophetik is an ethical brand that uses heritage stylings to bring the catwalk and history alive. I always feel like I'm going on a journey with their shows the music especially takes me on voyage and adventure.
There was lots of historical references, patchwork panels and vintage buttons. Jackets tailed at the back while trousers were cropped and slim legged, skirts were maxi. Monochrome and denim hues were infused with flashes of colour such as mauve and pale green.
Prophetik collections are always recognisable in their style and tone and this was no exception, taking ethical to a theatrical level.
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Maria Grachovel

2011-02-18T08:03:00.000-08:00

After descending many stairs at the Savoy, I finally reached the room where the show was to take place. With an amazing view directly at the models entrance, I saw many combinations of style.
A muted palette of pewters, ivory, stone and navy took shape through silk asymmetric dresses with plenty of draping. Classic looks were included with straight cut front seamed trousers and tuxedo style blazers. A combination of fabrics were used such as tweed coats and trousers, fur collars on boiled wool coats in ivory and feather collars and cuffs to accessorize.
There was an androgynous feel to this collection and the model's slick back hair and black lipstick enforced this. Although elements of lace and the floaty dresses at the beginning of the collection, nude patent heels and cut out patterns revealing bits of flesh help to add femininity. Throughout the collection, despite overall being quite monochromatic, there were splashes of colour such as lime green and coral that took shape in the style of shift dresses. Maria played with all elements of the sleeve through this collection showing us that we can wear long, cropped, and sleeveless this winter. There were elements that showed us this collection was slightly 80's inspired yet jewellery combined with the palette brought it right back to aztec times!
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Corrie Nielsen

2011-02-18T07:03:00.001-08:00

I was really excited to see the new season from the latest Fashion Fringe winner and I wasn't disappointed.
Having worked at Westwood the aesthetic of having worked at the brand was clear.
Tie front skirts, voluminous pleated fronts with slim pencilled backs and slouchy trousers definitely had a couture look. Wools, leather and tulle ensure the collection had a deep richness and the full silhouettes were incredibly well sculptured.
Asymmetrical shapes were du jour and there was again a mix of 'mad men' styling. There was a perfect pencil skirt suit with a nipped waist with blue leather panelling, divine.
The show closed with several sculptured dresses. There were undercurrents of witch craft and folklore in the collection that were given a modern couture twist; give it a few seasons and our Corrie will be perfectly at home in Paris.
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Jena Theo

2011-02-18T06:52:00.001-08:00

Jena Theo, who have moved from BFC main tent to OnOff drew quite a crowd, they had to shut the doors as it was beyond full, even Fringe legend Colin McDowell was left without a seat.
It was a move away from last season in the sense the tropical ethnic vibe became total rock chick!
Grungy tones and styling meant that these models were seriously bad ass; if fashion did a rock festival it would look like this! Voluminous cuts, circle backs with draped armholes and deconstructed shirt dresses in a host of monochrome and sludge colours. A huge, puffa style parka that was well structured stood out as a highlight. I loved the mix of leather panels within garments to give the collection a modern edge and the drapery of the silks were so soft yet so structured. Incredibly strong work, from a duo that seem to grow season on season.
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2011-02-18T06:45:00.000-08:00

Paul Costelloe
I love that Paul always kicks of LFW and this year he was there again all guns blazing.
With a distinctly 60's theme there was a lot of swinging music to go with full swing coats that shot out straight from the shoulders.
Short, cute jackets with full skater skirts are back in for AW11 a look I am totally converted to. In bright tweed tones of reds, mustard, purple, turquoise and green the colours were muted yet bright. The wools looked luxurious and the cut and fullness was perfectly proportioned.
Metallic brocade (something Paul always done) was in 80's tones of green, red and pink, again using full swinging shifts as the silhouettes. I loved the mix of eras and the prim yet edgy vibe. It felt totally modern but with heritage twists, I'm starting to save up now!
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Valentine's Day

2011-02-14T14:04:00.000-08:00

So you didn't get flowers, chocolate or bling?

Well in that case you better click here http://www.bubbz.co.uk/download

and treat yourself to amazing download music! FREE

Yes that's right FREE! Get clicking and tell your mates!

The Wanted for RANDOM magazine

2010-12-26T15:54:00.000-08:00

We shot The Wanted on 17/12/10, their last shoot before the Christmas break and there was plenty of Christmas cheer!

We shot in the Park Lane Hilton in this fantastic suite!

The boys were absolute sports, dressing up into the suited and booted looks we laid on for them!

This was one of the looks and in true Winter spirit, I went for black and red tones, we did a lot of suiting, check shirts and 60's mod skinny suits and polo tops. We made it a bit younger with trainers from Puma and Adidas, which the boys walked off with in great glee! Merry Christmas!
Our photographer had to take a shot for Boyz magazine, who wanted the boys in white tees and christmas hats! They looked so cute!
Here is Siva swapping twitter deets, the boys spent plenty of time tweeting!

The video interview will be up on RANDOM magazine's YOU TUBE channel! We played pass the parcel with the boys, it's fantastic! So stay tuned for that! The shoot and interview will be out in RANDOM magazine's March Issue!

Lyle and Scott Curated at XOYO

2010-12-18T10:22:00.001-08:00

Lyle and Scott have started up a series of nights at XOYO called 'Lyle and Scott Curated'

This is a chance for the brand to support new and upcoming artists get a break and play in one of London's hottest new venues! If you think you have what it takes, enter your band on the Lyle and Scott facebook site CLICK HERE

Watch how the acts from the first gig got on!

Paloma Faith

2010-12-11T17:05:00.001-08:00

I've already interviewed PF but it didn't matter I wanted to see her play, I love her album she was awesome! I officially heart Russian Standard Vodka!
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Kelis

2010-12-11T17:02:00.001-08:00

That little blob is Kelis, Russian Standard Vodka invited us down to HMV Forum to watch a series of gigs, sadly our interview with Kelis got cancelled but we still went to see her play and drink free vodka obv.
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Nate James

2010-12-11T17:00:00.001-08:00

I went to Punk for the first time ever, so not my kind of club but I did like the music, the people, debatable.
I was there to see Nate James play his new tune with Sugasmak! Called 'we are' find it on itunes now its amazing and youtube the video, smiles guaranteed!
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Lipsy press day

2010-12-11T16:59:00.001-08:00

Love the casual line from Lipsy for SS11 its proper 70's chill, fringing, florals and jumpsuits, come back sun we have fashion to do!
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Shoot

2010-12-11T16:57:00.001-08:00

I shot with Dave Wise for January's Fiasco mag! This is a behind the scenes snap of our model getting done up by the amazing Cassie! Watch out for pics coming soon!
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Jessie J

2010-12-11T16:56:00.001-08:00

Went to see Jessie J at X0Y0

The best thing since sliced bread! I'd been watching Jessie progress on myspace but this blew me away! The room was rammed and everyone was going crazy, I felt like I was witnessing something special! 'Do it like a Dude' is my track of 2010 and I can't wait to see more of Jessie in 2011, the UK's answer to Rihanna for sure!
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Accessorize

2010-12-11T16:53:00.001-08:00

Accessorize rings!
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Monsoon press day

2010-12-11T16:52:00.001-08:00

But Monsoon press day was most beautiful, 50's and 70's were the theme and the layout and attention to detail to the ambience was just as amazing as the collection! Monsoon is my home for SS11 I love a good 50's frock!
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H & M

2010-12-11T16:51:00.001-08:00

H & M press day overview, some really nice bits for ss11!
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Lipsy and LOLA

2010-12-11T16:49:00.001-08:00

I interviewed the girl band from The Only Way is Essex, LOLA they were performing at Movida with Lipsy party, let's just say it was hilarious!
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Bryan Morel

2010-12-11T16:48:00.001-08:00

I took this at the Bryan Morel press day its next seasons Maria G V collection! Love grey and yellow ensemble!
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Jaeger press day

2010-12-11T16:45:00.000-08:00

Loving this palette for SS11 from Jaeger press day. Also got a 100 quid gift card which I promptly put towards an amazing new coat, which I now live in!
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Tinchey Stryder

2010-11-04T16:48:00.000-07:00

Me and Ella hoped off to the Shepherds Bush Empire to watch Tinchey Stryder play. We were invited by his clothing label 'Star in The Hood' Pr company, Surgery Pr.

As I had a shoot in the day, Ella waltzed off to the private pre concert media dinner and I just turned up for the evening entertainment! Tinchey was awesome and joined on stage by N Dubz star Dappy, Roll Deep, Skepta, Devlin, Alexis Jordan and Giggs! It was quite a night, check out the amateur vids!

2010-10-31T05:08:00.000-07:00

EDDIE have played Concrete and Delicious Digital recently, here are a couple of snippets!

RANDOM PARTY 3.2

2010-10-31T03:01:00.000-07:00

Well, while the issue of 3.2 has nearly sold out! (You can still grab a copy online RANDOM)

Last night we headed to Concrete for a few drinks and bands to celebrate!

We had 3 great bands playing, Eddie kicked off the evening and raised the tempo in the room!

We decided to go for a rock inspired do, paired with this seasons must have fabric velvet. An emerald green velvet Anya Wilkinson dress and a one off, elastic band and light up jacket by JMD (Jeffrey Michael Design).

They totally smashed it (even if i'm a tiny bit biased).

Next up was electric pop duo 'Ghost Cat'. I loved Aileen's powder pink outfit with cat print, it was so super cute! I'm a huge Ghost Cat tune fan and its really cool to see the fusion of digital and vocal unfolding on stage.

Finally 'Pictures of Belgrade', an indie rock band, drums and guitars galore!

Tim Soar

2010-09-22T10:41:00.000-07:00

I only made it to one menswear show and that was Tim Soar.
Tim, who stocks on the likes of Asos.com is an excellent tailor and this was show here through some beautifully executed tuxedo jackets. For SS11, Soar has done away with buttons, more traditionally used for suiting and opted for slight wrap over style jackets, with fabric waist belts. Perhaps a play on the more traditional satin dinner belts favoured by men for black tie, Soar chose to create his belts in fabrics from else where in the collection and black wrap dinner jackets were fastened with denim and khaki belts.
The collection was clean cut and silhouettes were neat. Male models were join by androgynous girls, also suited and booted in neatly cut, sleeveless, tuxedo jackets, some paired with loose shorts, while my favourite was an excellently cut, wrap style tuxedo dress.
Aside from the suiting element (all black) Tim used washed denim for jeans and waistcoats and there was even a 'life vest' style denim piece with printed darker denim pockets.
While black was the main base, cream, grey, stone, khaki, mint and forest green all accented the looks. I loved the sporty start the collection, with shorts and jackets made from coated, water proof fabrics. There were white zip through varsity jackets, wide striped trousers with matching jackets that almost had a 'jail uniform' effect.
Trousers and shorts were mainly casual, borrowing from the cargo, patch pocket style.
I loved the idea of fastenless jackets, the belt idea was interesting, although I think I'd drop mine with a leather one, to ensure that the jackets that did really look expensive, kept their style.
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Ashish

2010-09-22T06:52:00.000-07:00

So its about 5 to 5pm and fashpack are thinking we ought to start queueing for Ashish. The queue runs suprisingly smoothly and were in the showspace in less than ten minutes. We bag our favourite location to take the best pictures and have the best view and then.. CHAOS. Soon the seats fill up.. And then the standing.. And then the aisles. They was letting in so many people that the aisles were doubled up. We had to get a little authoritive and ask people to sit on the steps because we couldn't see anything anymore.. Literally, the world went dark. Finally the room is hushed and the chaos is calmed, the plastic is pulled back off the runway and the show begins!
The first model walks out with seriously straight hair, cowboy hat, tan cowboy boots and a leapord print halterneck dress and red bandanna. Of course its made all out sequins. This is then followed by. Another halterneck dress however this girl is rocking hers with a feathered head dress. So from straight off the cuff I'm thinking Wild wild west. However, there were some other features that made me think that were some other references that inspired this collection. Following the halterneck dresses were cowboy shirts with tan trousers with fringing on the seam confirming the Wild Wild West inspiration. Then a contrasting fabric was introduced to compare to the sequin textures. This was jersey cotton sweatshirts with track bottoms in grey with bandanna print. Models wore this with base ball caps and I couldn't help think of american football. Reinforcing the wild wild west feel were micro denim shorts with check shirts in orange, blue and white...in complete sequins of course followed with dark denim jackets with chain fringing rocking up this specific look. Patchwork style jumpsuits and dresses were seen with prints of spots, leapord, check with fringed seams and necklines. Both looks were work with either feathers in hair or base ball caps. A nice collection of draped low back dresses hit the runway looking the most easiest and wearable of all the looks. These came in a variety of prints including the patchwork look. A contrasting array of oversized sequined rugby shirts were worn with casual trousers of the bandana print. This was a really interesting look as most people consider a complete sequined outfit to be a more dressy look, slightly evening however Ashish toned this down and took sequins from night to day. I have to say that I loved the music for the collection. Probably a lot more 'ghetto' compared to all the other genres we've heard so far with its hard hitting drums, bass and bashment beats but it got the crowd going. The finale pieces were long evening style no sleeved dresses with tan fringing running vertically along the back of the dress to the floor. An excellent way to make an evening dress something different than just a dress for evening.
A masterclass of how to wear sequins. Thankyou Ashish!
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Amanda Wakeley

2010-09-21T08:38:00.001-07:00

I was pretty much on a fashion high by the time we sat down for Wakeley. She is one of my favourite collections, as quite frankly, my alter ego is always head to toe in Amanda.
Beautiful grecian style maxis and short slip style dresses in hues of white, dove grey, silver, tan, chocolate and khaki.
There were several white slip dresses, one with a draped back the formed a distorted bow. Models strutted in bronze and silver long cuffs and neck plates.
A butter soft, milk chocolate flight jacket with matching pencil skirt was simply, to die for!
Skirts sported pencil styles but with side drapes that created rippled pocket effects.
Dresses in silk jersey were wrapped, draped and pulled in with wide cage like leather belts, that mirrored a sort of rib cage structure. It was impossible to decipher the exact cuts as the dresses were asymmetrical and draped and balanced to perfection.
There was a wrap tulip style, draped at the sides, with a pencil jersey skirt peeking through.
The collection moved into navy, silver and fuchia/coral. There were peasant drape tops and printed chiffon kaftans and maxis. Light blue appeared again at Wakeley in full on evening. Bandage style silk bodices with floor sweeping maxis.
I loved the silk jersey and leather pieces that were ruched into spine panelled leather. Stunning!
The final phase of the collection combined chains and silk jersey, with jewellery pieces draped over the top.
The structures were built with beaded neck and shoulder pieces with a centre front and spine pieces, chains draped off them inter linking all together. The final jersey dress had. A chain structure built all over it, practically impossible for the model to walk in!
A beautifully crafted collection, that combined the style, expected of Wakeley, with futurist and modernity that came as a welcomed surprise, I'm off to get some chains and wire cutters!
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Adam Entwisle

2010-09-21T05:52:00.000-07:00

So its the last show at the on/off space at Victoria House..(Tear) but luckily we was sent out in style. A small pre drinks party was layed on with platters of fake pigs heads, chickens and cider of various flavours. Don't worry, the cider was real. So as the we all sip vigourously on our drinks hoping that by the time we are finished we won't feel the blisters we've gained from the last 3 days at Fashion Week, we had the chance to watch and listen to Marner Brown play live their debut single 'Dirty Weekend'. After rocking it out for a while, we are all escorted to our seats. Fashpacker team had best seats in the house quite frankly but its too difficult to explain where, just trust us on this one. Graced by a schwarzkopf goody bag filled with an apron, recipe book and some cadbury's nibbles, despite the fact the fashion hadn't even been seen yet, the crowd seemed to be pretty happy. Catwalk protective film is pulled back by on/staff in socks so that they don't ruin it themselves and revealed is a shiny silver reflective catwalk. Now we are well chuffed. The music starts and the first thing I noticed on the models was their amazing beehives. A beehive tends to be to an extent round, however these beehives came to a point and put the high in hives! Panning my eyes further down I see asymetric cotton dresses in white and camel with red interior. Dresses fell away from the body allowing movement and making the red interior make sense. There were some jumpsuits that were straight and loose in fit hanging from the shoulders yet belted at the waist giving a bit of curve so the verticle lines. Cap sleeves were nice feminine touches. There were some flowing dresses of lilac and cream bubble print with asymmetric detail, as well as long chiffon dresses appropriate for evening. Unfortunately, despite the build up, once I had seen the first few outfits of the collection, I felt I had seen it all. There was something typically uniform about the collection that unfortunately made me loose interest. Some really wearable pieces but the best thing for me was the shiny catwalk.
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Todd Lynn

2010-09-21T05:27:00.000-07:00

Sitting right by where the models emerged was a perfect location. Great view and snapping angle!
The collection was based on a muted palette of black, watery grey, silver and a light foiled bronze.

Todd's collection is always fierce and the models, like fashion warriors didn't disappoint. Tailoring was sharp and androgynous with suiting cut so close to perfection it outlined the models form perfectly. Shoulders were strong, although not over exaggerated and trouser legs slim to the point of skinny.
Leather, stitch detailed panels were used to create structure and emphasised waists and shoulder blades. It almost outlined the human muscle structure.
Jackets featured funnel necks, while fronts were wrap over, biker styles.
Trousers had two sets of fabric, with fronts and backs juxtaposing leather and tailoring fabrics.
Double zip details on pockets and straps across the body securing leather panels and half capes to jackets were super cool and a look I definitely want to sport next spring.
There were a few dresses, mainly one shouldered, tailored pieces sporting structural ideas.
One had the most amazing mirrored, helter skelter structure down one side, while others used piping/wire to create several front curves that twisted and hung away from the body.

Menswear featured and again, the same palette and tailored, structural styled were used. The half tailored jacket / half cape was by far our teams favourite piece. But we want a Todd Lynn bad boy to sweep us off our feet!

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Jaeger

2010-09-21T02:43:00.000-07:00

The show was divided in several sections according to palette and style. While the 9am start had obviously put off some people, with only Pixie Lott and Calum Best flying the celebrity flag.

It started with a real 60's mod vibe. Sleeveless, asymmetric (skinny) collared tux jackets, slim leg trousers, ribbon crochet knits and squared shoulder coats. Monochrome, camel and khaki were order of the day and tabbard style tunics and dresses with curved hems (like a single scallop) ran in different colours and prints throughout all sections of the collection.
Shirting and jackets had a safari feel in sheer khakis, with turn back sleeves.
Sharp cream trapeze coats and front belted, loose back pieces felt relaxed yet smart and I particularly liked the leather panelled pieces. Mixing fabrics within one garments, showing a cross over with a trend showcased last season. Suede backed dresses with perforated silk fronts were well executed.

Post 60's wonderment was mixed into an 80's rebellion of royal blue showcased on sweet heart neck line dresses, slim trousers and strong shouldered jackets, the power shoulder is going no where. I loved the peekaboo surface decoration, as shown at Conran. A mixture of clear and fabric stripes, this time asymmetrical.
Monochrome accented the collection with full shorts, asymmetrical ruffled hem dresses and wrap backed frocks. Flat shoes suggested an easy, daytime glamour.

Next came the fashion forward bit. Emerald green, shiny navy and ochre worked incredibly well as a palette. The ruched, pulley, parka in ochre is top of my spring must haves. Wide leg trousers and square cropped jackets in silk gazar and organza gave a very structural feel.

Photographic florals in pink on cream and black on white represented the final phase of this visually stunning journey and featured blown up graphic, strategically placed on tunic style dresses, again featuring asymmetrical ruffles on hems.

There was a definite sporty edge to the collection, with lots of bright parkas to juxtapose the prettier dresses. The mixtures of silk and leathers ensured that collection felt both youthful and grown up all at the same time and showed that Jaeger's ability to re-invent itself as the place for strong fashion forward design is as apparent as ever.
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Meadham Kirchoff

2010-09-20T11:52:00.001-07:00

OMG the Topshop space is amazing! I know I'm the last with the news, as I've avoided going there all week and have opted to send my team of fashpackers instead. Shame on me!!
The huge platform has been turned into a bar/cafe - with lots of drinkies and a fantastic runway.
We grabbed a drink then tried to find the optimum seat. Being the first to dash to the pews we thought we'd cracked it til, the tallest and biggest of the fashion crowd opted to sit in front of us! Queue seat hoping several times!
We settled just before the start and though it seemed only giants came to Kirchoff we managed to find a few cracks to peer out at the runway.
True to form the collection was eclectic. Chiffons and lace were teamed with leather and heavy duty cottons. All the pieces had a real punk princess vibe with clashing tones of yellow, pink, lavender, khaki, red, royal blue.
We loved the cropped boxy biker jackets in dip dyed, colour run prints and the yellow and black prints.
Dresses were chiffon maxis that had a victoriana feel to them, with tiered ruffles and voluminous sleeves. There was lots of drama. Styling was excellent. Multicoloured wigs added to the rebellious stance and contrasted well with the chiffon. Sparkly shoes and vintage-esque lace collars sealed the deal. An 80's rebellious, princess collection, with coveted biker jackets and all the right tones to welcome us into a wild spring/summer 11
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Romeo Pires

2010-09-20T09:17:00.001-07:00

Back to Vauxhall fashion scout for Romeo Pires shoot which had an interesting start. Footsteps... I'm thinking this pays reference to the dance movements that were around in the 20's with collection that clearly was inspired or themed with mime. Both male and female models had faces painted white (typical mime make up) with brushed back frizzy hair. I'm not sure if Romeo was experimenting with gender because minus the odd few tunics and couple of dresses, everything else in the collection could be worn by either man or woman. Footsteps had stopped now and we was listening to proper music when models in pairs graced the catwalk. A very neutral palette with a lot of white, creams, blacks and splashes of colour from prints with olive, rose pink and terracotta. Nice easy styles were seen at first with loosely fitted pantaloons held up by braces matched with ivory brogues and oversized linen shirts. This progressed into an even more less gender constructed collection with draping throughout shirts and trousers. Cuts were sharp and angular forming sculptural like pieces with draping adding softer lines. There were some contrasting textures with shirts looking like they were made out of what only I can describe as: paper mache. This calm palette progressed into prints of paint brushes forming stars on tunics and shirts to skulls arranged in a bowl like fruit all over dresses and shirts for men. Skulls were olive and digitalised onto black silk where's as the paintsbrushes were terracotta and were on pebble coloured shirts and tunics. Towards the end of the collection we graced with swing music where pleating now became a staple. Pleated seams along trousers and shorts for men and throughout shirts for women replaced the drapery return to a once again sharp and hard look. I'm not quite sure what to make of this collection but I do know that the brogues the models wore were my favourite piece... Ooops.
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Ada Zanditon

2010-09-20T09:09:00.001-07:00

Ada is one of many designers to bill her 'show' as a presentation. This pretty much means a smaller venue, with a show run several times and most importantly, no seating.
We arrived early to secure the best standing positions, its all war at these events.
The silhouettes were heavily influenced by pyramids and origami.
Triangle inserts in the top and bottom of shift dresses allowed for two fabrics to be worked in together.
Body con tops, full skater skirts and a-line shifts were the shapes du jour, as well as printed maxis and some slim leg, faux leather, light blue trousers.
The origami influence became more apparent as the clothes became more 3D. A black dress with a shovel shaped front, dresses with raised pyramids standing to attention down the front, were contrasted by body con backs.
Triangle shapes appeared at shoulders of chiffon shirts and a multi pyramid, structured bolero in gold was my piece of the collection. Hair was sculptured into cones and pyramids, it was extremely intricate and suited the delicate yet bold collection. Quilting details were used to create the triangle forms. In contrast there were several more 'easy to wear' pieces. A full back trench/cape and skater skirt in stones was gorgeous and Ada's perspex accessories were strong again this season.
The print (predominantly in red, mixed with cream and blue hues) reminded me of looking into a kaleidoscope and was used both on panels of dresses and for full on maxi frocks.
Other tones included cream, gold, black, light blue and stone. A strong collection with a good mix of wearable and editorial pieces.
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David Koma

2010-09-20T03:14:00.001-07:00

So another rammed venue at the BFC showspace today but somewhat understandably as David Koma and Holly Fulton ran back to back. His last collection I really loved and fell in love with this collection all over again. I didn't care that it wasn't overtly amazing in but respected his use for geometric shapes, panelling and the return of the skater skirt which I was quite frankly.. Bored of. The shows began with Tchaikovsky's ballet music from lake which quickly developed into a rock beat! We was soon then graced with a skater skirt dress in pastel pinks with panels of mint green. More followed of the same genre with contrasting fabrics to edge up the ballerina look. Black leather was introduced layered skater skirts turning ballerina into warrior princess. The skirts were full and the waist were small with caps sleeves on dresses or cut out fronts and backs to add sexy femininity to the look.
Stripes of colour injected a some excitement into the soft palette yet all came to a point emphasising again on the model's silhouette. The same applied to sharp blazers that were belted at the middle. Less and less fabric was seen as David experimented with geometric shapes and racer backs and cut outs making the collection a lot more fierce and interesting. Short dresses had chiffon tails and fronts as well as side panels replaced with mesh making this female warrior ready for battle. What's left, some armour of course! So David Koma gave gold panels to dresses accompanied with huge gold and black cuffs along with leather bands around middles. Some embellishing was applied to fronts of dresses through flat square gems as well as the leather extending through to the tulle skater skirts giving us contrasting textures. I wonder if we'll see another appearance of David Koma on Cheryl on this years X factor. So yes I know there are similarities to ss10.. But I don't care, I loved it all, would wear it all. I just need a leather whip..
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Holly Fulton

2010-09-20T03:03:00.001-07:00

Running back to back with Koma, it seems that London's new fashion generation have what it takes to fill the BFC tent.
True to form Fulton showed some incredible graphic prints. It started with a graphic, hexagon print, reminding me of shattered glass. This came in a mix of monochrome, accented by orange and decorated wide leg trousers and mini shifts.
The silhouettes were clean, favouring a-line shifts, pencil skirts, wide leg printed trousers and some gorgeous, full skater skirts and skater skirted dresses.
Aside from her usual perspex, mirror and sparkly trimmings, Fulton used an almost shag-pile, carpet like trim (a bit like the fake green grass you see at the greengrocers).
This was used a tiered trim on skirts, to create a full on cropped bomber, in black and later on it bounced down the catwalk in a bright aqua!
The prints moved on to a distorted New York sky line (repeated along and down a towering maxi) as well as a mixed up and multi coloured Empire State building. Several of the prints (aqua bases with peach accents) reminded me of circuit boards and the whole collection was a riot of colour and excitement, I didn't want to blink for fear of missing something!
Moving away from traditional fabrics, Fulton experimented with laminated fabrics like a pvc with a perforated laser cut style design. This was done in skater skirt forms and the laminated fabric draped and flowed surprisingly well.
Calming yet bright tones of aqua, peach, yellow, blush, cream and pistachio ruled the roost at this show, but the embellishment ensured these pieces were no wallflowers!
It normally takes a designer years to cultivate a cult accessories following but Fulton is as popular for her 60's style frocks as she is her incredible perspex and shiny jewellery. The fringed/embellished clutches and the printed box bags were the best accessories of the week and I'm now saving up til SS11 just so I can own something Fulton!
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Pam Hogg

2010-09-19T13:44:00.001-07:00

The room was packed, we queued for what seemed like hours and the celebs were out in force.
The lead of the Noisettes, Pete Burns, Jodie Harsh, Janice Dickinson, Amber Rose and Nicky Hamilton Jones.
After hiding in the loos, I was joined by Random's (unticketed) intern 'Ella'.
The show began and I was surprised to find that I actually wanted to buy things! Normally Hogg is way to out-there for me, but it seems the legend that is Pam is catering to a wider crowd too. The looks started albeit with gimp-fetish accessories, a great wood print on silk jerseys that formed several draped dresses and tops.
The usual Pam Hogg returned with body con jumpsuits, panelled to fit and mix in cream with gold and silver lame pieces. However also on show were some cute flirty, skater skirted dresses that were perfect to party in.
Although referencing asylums through straps and straight jacket-esque trench coats, the cream coat with brown straps was actually beautiful! Trousers featured ankle straps, as did sleeves and cuffs. Next came the cream 'straight jacket' jumpsuits but the tailored pockets and square shoulders referenced a fairly 70's silhouette and actually made the crowd burst into applause, it was like my Paris Couture experience, except this time in a basement.
Skater dresses developed back bustles and models had tulle, camel toned pompoms attached to their head, but this added to the fun spirit that is Pam Hogg. While execution is meticulous the approach is forward thinking and fun. The overtones of sex were obvious, but somehow would translate well to the modern wardrobe. I loved the gold sparkly no. modelled by Daisy Lowe and the tulle pom pom knickers shown on Alice Dellal. Probably the best Pam Hogg collection I've seen. While remaining true to her ever so loyal fans she has brought Hogg to a whole new crowd of fashionistas.
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Julien J Smith

2010-09-19T10:53:00.001-07:00

A monochrome palette as well as mustard from Julien J Smith to begin with. Straight cuts created shift and t-shirt dresses yet puff sleeves were added to give a more feminine touch to a collection that felt slightly military. Dresses were asymmetric with cut out backs as well the use of contrasting fabrics. This then developed into more dresses and long shorts with pebbled prints in bright turquoise or warm terracotta along with more military cuts.
Now I don't know if this is possible but somehow Julien J Smith managed to fuse both 80's glam and futuristic together giving us metallics on blouson jackets and plenty of zips. Silver discs were another added feature glamourising this militant silhouette. The models kept in tune with the theme and hair was swept back into ponytails with added streaks of turquoise and pink. Some models even wore woven visors. Nice!
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Mary Kantrantzou

2010-09-19T10:33:00.001-07:00

Back to the Topshop space at Waterloo for Mary Katranzou. The same set up for Topshop Unique was for Mary and we were happy as the view is excellant pretty much for everyone. The models make up as really pale with pastel eyes of pink and blue. Hair was kept swept back into a half bun leaving the focus to the clothes. I presumed the collection was going to have oriental inspirations with the music which did later show through, yet what stood out for me was a person's living room. Katrantzou's print for her collection were living room suites of all types. She displayed this on plenty of dresses. To be honest the whole collection consisted of dresses plus two pair of shorts. The lines were really straight and predominantly vertical as well as cuts being sharp and quite square. Setting the scene were contrasting fabrics all in pastel colours. Femininising the silhouette frills and tassels took place on shoulders and hips adding curves as well as pleated chiffon extended sides to allow movement to the hard structure. Jewellery were statement pieces such candle stick holders completing the scenery print. Spicing up the pastel palette were touches of silver. Moving on from a structured look, dresses took the shape of lampshade and were embellished with crystals and tassels as well as beading. This really injected even more creativity to this already innovative collection. On the whole I was really impressed with this really interesting collection that incorporated so much yet where trends were still easy to identify.
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Fashion Fringe

2010-09-19T08:49:00.001-07:00

So finally, what everyone has been waiting for, Fashion Fringe along with John Galliano arrived at Covent Garden. A very sleek and efficient entrance was granted to everyone with a reception of champagne until the show started. Finally at about quarter to 8, were allowed downstairs to take our seats. Less people than I expected but I wasn't complaining as I held on to my front row seat for dear life. They finally announced that they were starting. As Keisha, ex sugababe and Nicola from girls aloud were taken to their seats. Up first was Alice Palmer with a fantastic collection of knitwear in a palette of khakis, stone, indigo and greys along with haphazard pleating. A complete collection of both long and short dresses but all looking just as stunning as one another. Alice did an excellent job of having a dress where its upper clang to the body yet the bottom stood away without compromising on the pleated detail. I personally wanted her to win as I'm sure you guessed. Following Alice was Jacob Allen who went for a lighter palette of pastels pinks, oranges, butterscotches and sky blue. Chiffon was his top material and draping was his top detail, admittedly he created some stunning pieces with evidence of slight grecian inspirations. His collection also consisted of mostly dresses in both tall and short form. Models looked like pretty princesses. Lastly was Corrie Nielson who had the most couture collection of them all. She displayed really innovative designs that were almost fairy tale like. Her palette was very versatile but the tones remained muted. She experimented with shapes of the female silhouette with forming huge shoulders and very, very pronounced rear ends. I couldn't help but looking at the model and be reminded of Little Miss Muffet who sat on her tuffet or other characters from my childhood. Understandably and very well deserved John Galliano announced Corrie Nielson the winner. As winner she recieves something like £100 000 pounds and is on main schedule for next time. I love that after they announce the winner, they hand out boxes of wagamamas for you to nibble on and have pre made alcoholic drinks for you to down. Fashion fringe just knew how to please us to a T.
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Jasper Conran

2010-09-19T05:55:00.001-07:00

The tent was packed, no one had filled a show that week in the same way.
There were editors and Sugababes dotted about and the show started as the last few were squishing their way in.
I've seen Jasper's show twice before and in this third sitting I was again treated to a completely different look! While some designers have an obvious signature, I'm yet to work out what Jaspers is.
The collection started with sharp suiting and pencil skirts in navy and black accented with white. It all felt very calm and grown up. There were tiered white dresses, front vertical pleating on blouses. Trousers switched between skinny legs that stopped on the ankle and wider, slouchy varieties. Cardigans cut short at the waist, or were draped over the models shoulders. There was a distinct 'Pringle' 1950's feel.
The dresses ranged from square 60's shifts in a host of checks, both on solid fabric and also on sheer fabric, reminding us that Conran really is a master of surface decoration technique.
There were full skirts and full skirted dresses that hung well below the knee and were so lady like. They had an almost aw10 Prada feel to them.
The collection got more summery and we were treated to a selection box of colours. Lavender teamed with yellow, toffee with white and a host of terracotta to orange in both plain and floral prints.
Chiffon, satin and manipulated, surface decorated (almost like a broderie anglais) pieces danced down the runway as the models were free from troublesome heels and instead scooted down in white canvas pumps!
There were lots of shorts and tunics, I loved the striped tunics that worked the 'peekaboo' trend as they went from sheer to ribbon in horizontal stripes.
One of the final skirts, a super skinny knife pleat, I three tiers was definitely my favourite. Yes it was all quite classic and reserved but it was oh so beautiful and wearable for a host of ages and sizes.
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Louise Amstrup

2010-09-19T04:48:00.000-07:00

Louise decided to go for sexy bee keeper chic, with a touch of safari glamour. The colour palette started with refreshing tones of camel and cream that moved into several shades of blue from cold and icy to damn right stormy!
Prints were strong, true to Amstrup form and made me think of stormy weather, blown up, swirly and strong in tones of orange, red and yellow on grey, blue and cream bases. The collection showed a host of asymmetric dresses, that borrowed the shift form but draped beautifully at the front creating ripples.
While there were plenty of loose over coat style shirts, there were also some voluminous trench coats, cinched at the waist with a belt.
I loved the body con dresses and skirts that were exaggerated in their fit through seam details and fabric panelling choices. Asymmetric skirts showed off one sided, mini, structured peplums that caged out and added detail. The cropped leather/suede bomber in ice and light navy blue was definitely a fav piece.
The fabric choice of leather, suede and silk chiffon combined hard and soft perfectly.
Louise has a strong design signature that came through in this grown up and chic collection. Put us down for a chiffon scarfed bee keeper hat!
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Bryce Aime

2010-09-19T04:45:00.001-07:00

Bryce Aime showed some definite Oriental influences. A pastel palette to begin with in jersey cottons. Leggings were worn with almost everything but there was a big focus on hair fascinatas and obscure shaped wedges. A lot of asymmetric lines with detail on one shoulder. Bias cuts were used on dresses. The collection became more feminine with frilled hems and ruffles for detail on dresses. Tweed was introduced creating more texture to the simple cotton jerseys before. Lastly, more dresses appeared in colours like avocado green and yellow ocre with sparkles.
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Spijkers en Spijkers

2010-09-19T04:02:00.001-07:00

Interesting show from Spijkers. The main palette of the show was black, white and camel with print and fuschia for touches of colour. Plenty of straight lines and a more masculine look but touches of lace gave a feminine edge. Models hair were loose with defined waves and make up was nude with a pretty pink lip. After plenty of high waisted shorts and high waisted pilattsos in camel, the show got interesting as Spijkers displayed black jewelled buttons on camel frock coats and a-line tunics. Following this, the collection became really feminine with plenty of pinafores and daisy print dresses. Contrasting textures were used creating a slightly patchwork look. The palette took a turn from the nude one it was before to a brighter crisp white, yellow and fuschia. The prints on dresses appeared to be cut fruits but easily looked floral from a distance. Lace bustiers were teamed with pilattsos again and also featured on dresses incorporating the whole underwear to outerwear into this very prim and proper collection on the whole. Key points from Spijkers: lace and daisy print!
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Charlie Le Mindu

2010-09-19T03:54:00.001-07:00

Hair!
That is pretty much the feel at Le Mindu.
Known for his hairy creations he didn't disappoint.
There were several play suits and 'swimsuit styles' in black pony hair and leopard print skins, as well as traditional leopard colouring there were those that were treated to a pink based rinse.
Short shift dresses with long haired capes and a powder blush pink, tiered hair dress were the piece de resistant. It felt quite 70's at times, especially with a pink leopard pink coat!
Big pink and yellow wigs were accessories ed with metallic pink wine bottles and a mirrored hollywood sign, it was definitely fetish inspired with several models strutting in the buff showing off hair pieces and bags.
The bags were fab and were actually a collaboration between Le Mindu and Danielle Foster.
My favourite was the leather pale pink heart bag with streams of trashy pink hair flowing off it!
Red and black leopard print was the show closer and the whole room was left aghast. Even if hairy clothing creeps you out, you can't deny that this guy is a incredible.
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Topshop Unique

2010-09-19T03:22:00.000-07:00

Topshop unique certainly kept things 'unique' with their choice of location at Waterloo's old eurostar terminal. After a 3minute walk after many ramps, we finally arrived at the platform transformed into the runway. Eagerly waiting for it to start I couldn't help notice the bar behind us and the many trays of champagne that were being served as well nibbles. Topshop had certainly pulled out the stops. Finally, it starts to a groovy funk beat. The models were olive in skin and were rocking the most amount of hair I have seen with yellows, pinks and greens dyed through the ends, the bigger the better I'm guessing, however tying in with a 70's feel, it made sense! Strutting to funk beats models were wearing tribal print cat suits where the cut of trousers were bootleg. Being even more hippie, models were wearing the flares with chiffon blouson blouses. Silk kaftans were another choice with the print botttoms accessorized with over sized sunglasses and high sandals with tassled straps. A very warm palette by Topshop including dusky pinks in prints, flame reds and corals taking shape in more kaftans and floaty dresses. Also if you thought batwings were banned, then topshop have revived them so either save yours before its too late or get the orders in! Camel was introduced through some more high rise bootleg cotton trousers with a contrasting texture of knit wear up top.
Topshop used a lot of embellishing in this collection taking the 70's free and hippie feel to giving it more edge. Frock coats were used over slim leg trousers but both the colours and the embellishing kept the look retro. The oversized sunnies worked really well here too. Topshop even introduced a little swimwear in metallic blues and zest greens keeping it funky. Last texture on the catwalk was seriously, and I mean seriously distressed denim with a lot of whole and the same applied to dusky pink leather. Once again both looks used heavy embellishing, tassled camel sandals and big hair to go.
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Basso and Brooke

2010-09-19T01:48:00.001-07:00

Its 9am on a sunday morning and I've been up since 6am, not because I needed to be but more because today was the Basso and Brooke show and ever since my student days I've idolised this design duo. Through bleary eyes I checked my ticket on the tube only to realise I was actually front row! Alongside the likes of Amber Rose, fancy!
It's interesting to watch how designers change, not only as they progress but also how the economic climate effects their season
This was the most wearable season of Basso and Brooke I have ever seen and though they have bowed to commercialism, they have in no way compromised their designs.
Tones were more pastel and calm, starting with pistachio and moving into beige, cream and taupe tones. The prints felt very 'vintage' and almost distressed, comprising of antique florals, book pages, lettering and maps. They felt quite distressed at times, like they had been found in long forgotten treasure chests. Combining digital print with vintage stylings rather than the 'futuristic' look the technique has become famed for.
Dresses and skirts were short and flirty, favouring skater and shift a-line styles that have been popular everywhere this week. Shift dresses had postbox cut outs at the neck and printed chiffon shirts were tucked in and buttoned to the neck. There some great printed trenches, in ochre and black and like Grachvogel, Basso and Brooke played with a pleated/draped sleeve head.
Trousers held darker and more subdued prints, an almost distorted, wide, monochrome stripe and I loved the wrap and pleated front styles, Chic and modern.
The collection felt eclectic, yet well put together and the calming and muted based tones were popped with electric blue, orange, red and yellow.
I loved the chiffon jumpsuits and the just above the knee skater skirts. Commercially viable but by no means boring, it feels like Basso and Brooke will attract a host of new fans with this look.
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Betty Jackson

2010-09-18T10:35:00.001-07:00

Now I know everyone's eyes should be on the fashion but I just couldn't help noticing the model who stumbled in her wedges, the strap comes loose and she tries to fix it, her leg gets caught in the handbag strap. To make matters worse, she doesn't realise and as she ditches her loose wedge, she continues down the catwalk.. One shoe on, one off and the handbag strap still wrapped around her thighs. EEEKKK. However, she did continue walking very well and returned in a more sensible pair of wedges and NO handbag.
Back to the fashion, the show started with really bright lighting, probably a bit too bright but with a starting palette of mushroom and khaki it worked. There were many textures with fine knits, gabardine, cottons and Betty Jackson worked them well by teaming them together e.g woven knits with satin skirts and merino knits with silks. The clothes began easy and free flowing with fluid trousers with soft pleated detail, a-line skirts and dresses with little cap sleeve and loosely fitting blazers that were belted at the waist but keeping in tune with the army feel. Fringing was all over everything from trousers to cropped jackets and looked hot! Drawstring details were added to jackets and tops to create a more feminine silhouette. Moving on from an army feel, colour was injected into the collection. Acid greens, turquoise and rose pinks were displayed through digitalised prints. One particular one was of birds, I think seagulls to be precise and gave a tropical hawaian look. Toning it down again and taking it a tad more classy in contrast to the sportish look, there were frock coats, layered with feathers creating a more softer look contrary to the fringing. This also took shape in a pair of trousers taking feathers to the extreme but looking oh so hot!
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Daks

2010-09-18T08:20:00.001-07:00

A very prompt start by Daks so an impressive way to start the day. From all the collections we've seen so far, Daks gave us a collection of no fuss no frills but just simple, easy relaxed chic. Pick a summers day out of India and that's where Daks will be, sporting a palette of stone, grey, white and mustard similar to a few indian spices. Daks seemed to play on the androgynous look a little with equal masculinity between the genders. Oversized shorts and boxy blazers enforced this look. However there were added touches of femininity with free flowing dresses creating pretty silhouettes and a black head band to finish off the look. Rather than shifts and straight cuts, dresses and skirts were A line. A 1930's feel with plenty of shorts, medium length skirts and high waisted trousers where pleating was the main feature. There was a lot of brogues between both the men and the women to completing this relaxed look where up above was linen trousers and fine merino knit sweaters of the same palette. Crisp white cotton shirts for the men where there was soft cotton blouses for the women. Lastly everyone grab a tote as this was another key piece from the collection.
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Osman

2010-09-18T07:51:00.000-07:00

It will come of no surprise to hear that Osman cracked out some pretty amazing dresses. With minimal hair and make-up, all was left for the clothes to do the talking. With truly beautiful tailoring and slightly asymmetric hemlines, the label once again came up trumps. However, I never thought I'd see the day where dresses over leggings were de rigeur, but there you go. The use of black features very heavily, with sand, flamingo pink, lemon and lime providing some much needed colour respite. Trapeze shapes and tiered soft fabrics created some breathing looks that I'm sure will become red carpet classics.

Simon Ekrelius

2010-09-18T06:16:00.000-07:00

Sportswear + Perspex + lilac dyed hair = Simon Ekrelius' SS11 collection. Momonchrome featured heavily and was perfectly matched by identikit models with glazed expressions and robotic walks. Overall the collection was rather vertiginous, with huge millinery and pointed shoulders with impressive height. Sheer chiffons added a voyeuristic element, but things were taken to the next level with Perspex and completely sheer jumpsuits not you standard Saturday night on the tiles kind of clobber. One model only had a tiny triangle of flesh coloured fabric to hide what little modesty she had left. Now that takes guts.

Emilio de la Morena

2010-09-18T05:47:00.000-07:00

With the team of American ELLE, fashion's blue-blooded Julia Restoin-Roifeld and front row favourite Olivia Palermo, Emilio de la Morena sure had his work cut out to impress a waiting audience. However, when the heavy bass from a remixed Editors song kicked in and the first model appeared, his collection showed a strong, coherent and rather exciting look. Sorbet leathers with punched out polka dot details looked utterly stunning (I know what's on my wish list). Huge graphic gold necklaces lifted the cut-out dresses and granite blacks. Sixties influences and skater skirts all made for a girly and playful look. Feminine, fierce and completely covetable, this collection encapsulated what summer should be all about.

PPQ

2010-09-18T04:59:00.001-07:00

So the longest of all the shows to get into which certainly wasn't fun as the last show of the day. There is just only so much your feet can take! The queue for the BFC show space was literally 200 deep before anyone of any importance was allowed in. Finally the queue moves and I'm seated. Probably the biggest of the shows all day with so many people with seated tickets yet standing as there wasn't any room. Celebs such as Amber Rose and Paloma Faith turned up again accompanied by the like of Michelle Williams former Destiny's Child Member, Reggie Yates and Jamelia. After more waiting, the plastic finally disappears from the runway and we were finally embraced by a very majestic collection from PPQ. The palette included metallic mustards, electric blues, crimsons and black. Lots of geometric print to go around look out for this. PPQ seemed to be big on tailoring with waisted tapered trousers, shift dresses and pencil skirts with frills for detail. Satin made all the colours go pop with models strutting to a funky beat to back them up. Bright and Bold = PPQ SS11
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Jacob Kimmie

2010-09-18T04:27:00.001-07:00

What a difference to what we've been used to. Rather than a show, Jacob Kimmie gave us an exhibition of their collection with still models throughout two rooms. Despite Jacob Kimmie being a personal fave of ours, we are now in love even more with SS11. After ascending the 3 flights of stairs, we we're embraced by tranquil music, sensual lighting and a dolly mixtures of models from all walks of life and types of make up. A kaleidoscopic palette took shape in one shoulder silk dresses and 3/4 sleeve maxis. Both of which fell from the body like waterfalls. The menswear were tapered trousers in cream black matched with vests and intricate shoulder pieces. This fashion repeated itself in the form of masks on the female models. One particular model's was more of a head mask with crimson lips peeking the holes. With a long waterfall gown flowing behind her, she looked like a goddess. The collection then took a twist with two particular models dressed like ice maidens. Another intricate mask disguising one side of a model's face followed with a silk a line dress with cut out detail on the shoulders. Teamed with opaque white tights and ivory boots we had just met the ice maiden of SS11. Towards the exit acting as the final piece of the collection was a model wearing an amazing cropped trouser one piece. If you thought you had seen power shoulders, Jacob Kimmie took this one step further and took the intricate designs of the mask and applied this to the shoulders in asymmetric fashion. Accompanied by more intricate accessories the lines of this design were still kept clean and elongated. This collection on the whole had a big thumbs up!! There wasn't any desperation for it to start with models already on display, and no desire for it to finish as you were free to leave once you had absorbed enough of imaginative yet wearable Jacob Kimmie SS11.
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Hannah Marshall

2010-09-18T03:06:00.001-07:00

Running back to back with Felder + Felder, BFC shows space was packed with plenty of celebs with the likes of Amber Rose, Erin O'connor, Paloma Faith, The Noisettes, Coco Sumner and Rankin. The show started with a seductive and provocative video by Rankin of semi nude females dancing in the night (or very low lighting). The show then began with sheer black schiffon shirts, pussycat bows and cigarette pants. There were frock coats over sheer silk flowing maxis. Models were mostly ginger with long flowing hair, porceline skin with doll like make up. From a clean and minimal collection, it then progressed into shift dresses and haphazard pleating as detail remininscent of Issey Miyake. The palette took a turn from black to matte silver and so did the textures. Suede was introduced through boyfriend blazers and killer wedges! On the whole, Hannah Marshall elongated the models and gave us beautiful empire lines through high waisted cigarette pants, waisted pencil skirts and boxy frock coats. Attitude was infused into this wearable, clean and easy collection giving it a seductive edge!!
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Bernard Chandran SS11 Show

2010-09-18T03:05:00.000-07:00

If Cleopatra were to be in a 1920s Speakeasy that was on the moon, you'd be looking at the inspiration for Bernard Chandran's SS10 collection. Fluid silks and elongated lines looked stunning against a musical backdrop mixed by Kanye West's old chum, Mr Hudson. Muted nude colour palettes might be a strong direction for next season, but Chandran accented this with sequinned embellishment and a lot of leg. With a few accidental boob flashes, the show generally flew by without a hitch. Chandran championed both sleek long silhouettes and high hem lines, accessorised by woven wicker box bags and stonking great platforms. The collection also showed the evolution of this season's full skirts by leading the way to a lampshade skirt shape (with a few lampshade shoulders thrown into the mix too). Cute details such as massive pockets and envelope-style sleeves were all common denominators in an overall very wearable collection.

Felder + Felder

2010-09-18T01:11:00.001-07:00

Friggin fierce is the adjective to describe Felder + Felder's show! The models strutted to a rendition of Born to be Wild which was certainly fitting once the collection was on display! A monochrome palette of midnight blues, blacks and dusty greys with the accents of fuschia pink and royal blue. Many textures incorporated with embellished body con dresses, silk fluid dresses, feather cropped jackets and leather pants. Felder + Felder upped the ante again including leather corseted upper halves to dresses and bustier tops teamed with cigarette pants. Super sexy rock chic all around. VERY impressed Felder + Felder.
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Jena Theo

2010-09-17T09:51:00.001-07:00

Jena Theo

I'm a huge fan of Jena Theo, last years fashion fringe winners showed at the BFC tent. The collection that felt very 'Arabian inspired'
Models with hair wrapped in turbans slinked down the catwalk in silky jersey pieces, draped, gathered and twisted in a way synonymous with the Jena Theo style. It had a more grown up feel than last seasons look, right down to the sleek cut jeans.
The collection felt very 'deconstructed' there were slashed backs, twisted sides and garments in two toned overlaid fabrics, appearing like two separate garments had been merged together.
The garments really have to be seen to be believed but I loved the soft drapery, all the pieces were so well thought out with the manipulation being just right.
The colour palette was a mix of violet, grey denim, blush and dusky pink with cream and soft blues running through out.
Print wise, it was so soft and delicate. A cream based print, with an almost 'my jeans have run in the wash' blue print and marble/water colour in soft pastel hues.
I loved the way the softer pieces were toughened by divine, draped, leather, hooded jacket (I want) and cropped, slash back bomber styles. It really feels like SS11 will be the season of soft grunge. Far more romantic than we've ever seen it. The rock chicks have grown up.
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Bunmi Koko

2010-09-17T09:37:00.001-07:00

To be honest, we had no idea what to expect from Koko and when the first theatrical piece came out (a man dressed as a giant pompom), I won't lie, we were damn right scared!! But once that was over the collection that followed was incredible and quite frankly left us a little bit speechless, we'd already seen several 'on schedule shows' but it was this that left us gobsmacked!
Shoulders had structural, upside down triangles built in, like oversized drapes and folds. Draped skirt sides and wrap over tulip shapes ensured that the separate skirts and dresses fitted with the mood of this coming season, but were so well executed they stood out a mile.
The style and theme was 'warrior' and when Kanye's 'Love Lockdown' played at the end I was not at all surprised, it fitted with the music video style and the models were accessorised in feathered masks.
Each dress had so much detailing, yet none of it felt overdone. I loved the striped back panels that combined ribbon and sheer.
Trousers were total cigarette pant style. Super slim leg, teamed with the oversized shoulder drape jackets that fitted snuggly at the waist were great. The balance really worked.
I loved the colour palette too. This was mainly used to create bold, graphic prints. Red/white/black and chocolate/cream and ochre were the order of the day and the distorted graphics were gorgeous.
Smaller pompoms were used on shoulders and as wrist adornments and looked fun without being comical.
By far the favourite show of the day!

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Jean Pierre Braganza

2010-09-17T07:15:00.001-07:00

Soft and sophisticated with an authoritative edge was what Jean Pierre Braganza gave us. A palette of soft pastels with accents of turquoise and deep rose pink. Fluidity ran throughout the collection with plenty of draping and the use of silk to create flowing maxis, reed slim trousers and micro minis. Structured dresses made from contrasting leather and suede were looking fierce! Let's hope that PCD girl Kimberley Wyatt and front girl of Noisettes Shingai Shoniwa liked it as much as we did!
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Bora Aksu

2010-09-17T06:25:00.000-07:00

As expected, the Bora Aksu show, which this year moved to OnOff was rammed! In the crowd was tones of press and even fellow Blow designer, Avsh Shalom Gur.
Bora definitely has a signature look. I always coin it, futuristic warrior but it really is just that. Tulip skirts, piping details, surface details and lots of silver knit fabrics created armour and skeletal like forms.
There was a nod to the Rococo era, with a floral like weave, again playing on silver tones.
The main colour palette was navy and dark grey accented by pink, silver and red tones.
While skirts and dresses were the basis for the collection, soft trousers with ruffled and pussy bow blouses were a far softer look than we are used to seeing from Aksu.
Another fabulous collection, that yet again made silk and chiffon fierce.

http://fash-pack.blogspot.com
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Prophetik

2010-09-17T05:39:00.001-07:00

You always know you're in for a good show when Prophetik are about, like last season live music ensured the mood was immediately lifted. Again pieces had a real regency, period feel to them, and the buxom look of Prada and Vuitton AW10 continued here.
There several, casual maxis in both denim shades and dip dyed played a great role in adding detail and interest. One shoulder maxis and short flirty, white pieces with trinket straps fitted with the summer romantic vibe.
Menswear was again quite historical and layered. Detailing in buttons and excellent tailoring ensured a great if not niche style.
The grassed over catwalk and youthful models made me think of the secret garden, a true treat!

http://fash-pack.blogspot.com
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Maria Grachvogel

2010-09-17T03:42:00.000-07:00

Maria's show had pre music to set the scene. The sound of the amazon was our backdrop and the clothes transported us to an almost safari, tropical chic. The palette started quite muted with nudes and ice grey accented by canary yellow. Cuts were incredibly soft and drapey, with draped armholes, asymmetric back cowls and side seams that were gently gathered. There were full centre front drapes and pleated front trousers. Legs were wide and waistbands high. The whole look was very calming. Chiffons have never looked so sleek. The prints were stunning too and reminded me of abstract tropical bird feathers. Yellow, orange, green and blue tones on grey bases. There were some softly tailored jackets and city shorts too, it was a real wardrobe staple collection, timeless classics that can come out year after year. I've got my eye on the draped printed. Shifts and the full chiffon maxis! Divine!

http://fash-pack.blogspot.com
www.twitter.com/fashpack
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Paul Costelloe

2010-09-17T03:05:00.000-07:00

Funny how last season ended the same as this one began. AW10 closed with a live performance from Eliza Doolittle while Paul Costelloe settled for a pre recorded version, making Eliza fashions new hot thing.
The show itself felt very 60's inspired with lots of full lampshade and skater skirts and a-line dresses.
The jacket of the day was the biker and came in several hues, gun metal metallic was our fav, while the shape was classic, the pushed up sleeve and metallic tone was very sharp and modern.
As usual there were several prints on offer, the first being a graphic like charcoal print in monochrome with tiny trims of blush print.
Secondly there was a graphic monochrome floral print, a pastel green floral print and a zig zag peekaboo surface decoration on short a line shifts and maxi pieces.
Costelloe is a champion of detail and a master of tailoring and this show didn't disappoint!
Details like strong quilted shoulders (yes that 80's form is still around) and the sleekest of cut jackets, cropped, peplumed and skinny ensured sharp jacket silhouettes that contrasted nicely with the floats skirts.
I loved the 'top and skirt combo' dresses for their knife pleat skirts, again balanced nicely by scaloped tiered dresses. The hard and the soft the sharp with the romantic.
Menswear naturally was also a highlight. Navy teamed with white and camel. Monochrome floral shirts and hues of greys marched down the catwalk in skinny leg trousers, city short suits and trench coats. The highlight of menswear has to be when Paul's six sons took to the runway to lots of applause!
Though there were some eighties tones in oversized bows and more body con pieces the main swing was toward the sixties. Light, romantic and sophisticated. According to Paul we shall all be beehiving our hair so get back combing!

http://fash-pack.blogspot.com
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Beautiful Soul SS11 - Fashion Film 'BELIEVE'

2010-09-14T10:30:00.000-07:00

A few weeks ago I mentioned I was going to be involved in a fashion film. Well here are the results!

Beautiful Soul SS:11 Believe. from oliver Prout on Vimeo.

(Beautiful Soul - Believe - SS:11 - www.beautiful-soul.co.uk)

Film Credits:
Director: Oliver Prout
Produced by: Nicola Woods
Illustration: Zarina Liew
Music: Gabby Young & Other Animals
Stylist: Rivkie Baum
Make Up: Michaela Sporkova
Hair: Amber-Rose Peake
Models: Samantha at Profiles and Simon at Sapphires Model Management

Fashion Videos

2010-08-13T11:23:00.000-07:00

I'm going to be working on a fashion film for one of my old uni buddies!

I am so excited to see her new collection and find out all the details! But until then, how gorgeous is this short film!

Boohoo AW/2010!

2010-07-29T07:11:00.001-07:00

On behalf of Random I was sipping on champagne and munching on smoked salmon canapes at the Future Gallery for Boohoo's press event yesterday morning. They showcased their latest aw/2010 range and luckily more seeing than sipping went on as their new premium collection Boohoo Pink and teen range Boohoo Sister were also on display, looking just as amazing on the hanger.
Their aw/10 range ticks all the boxes with dresses looking all futuristic and reminiscent of Lady Gaga. There was plenty of sparkle to dance around the xmas tree with, with sequins and embellishing galore. Lovely leopard print tops and jumpsuits which can easily become transitional and the aviator jackets were definately eye catchers coming in various colours and types of fur.
Boohoo have definately looked to the designers to bring us affordable fashion as I'm sure I can see some Burberry and Chloe in there. Their premium range Boohoo Pink has certainly stepped up a peg or too but the price has remained comfortably 'low'. Their Fur jackets are priced at roughly £70 and their more sophisticated dresses at only £40. Premium swagger for under £100.. I'm digging that!!
Boohoo Sister was the last of the collections that let us see Boohoo's new range for the 9 to 14yr olds. Easiest way to describe is think trendy clothes with less leg, mid rift and plunging neck lines on display. There was such a cute navy jacket that had bunny ears on the hood matching perfectly with this navy jumpsuit! Anyone fancy lending me their sister for a shopping trip or too!!
Well I'm off now to catch the last of Boohoo's summer wear with my gift voucher they gave me.
Smiles all around!
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2010-07-27T16:24:00.001-07:00

Pandora Summer Drinks

Team Random headed off to check out the new range of watches from PANDORA.
There was plenty of glitz, Leather Straps and silver/gold alternative too. I really liked the fact that there was a great selection of large watch faces that still felt femme.

The event was held in the Mandarin Oriental hotel's ballroom and the garden that hosted the bar was gorgeous! There was even a garden swing and tasselled parasols!

While the boys stuck to champagnes and canapes, my latest partner in crime (who shall be poPping up on fash pack quite a bit) Ella and I started downing the most divine apple martinis. They were strong but good!

Hot singer ROX performed (wearing Basso and Brooke) she was featured in the most recent issue of RANDOM - wonder if that's where PANDORA found her! :)

Well I'm off on my hols so it was an early one for me so me and ella left the boys there! Who knows what mayhem they caused!
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Bodyshock Dance Company

2010-07-26T10:31:00.000-07:00

Ages ago I headed up to Littlehampton to help out on a dance video. The dance group 'Body Shock' run by Suzy Mills was featuring music by her other half A Skillz from DJ duo A Skillz and Krafty Kuts.

PUMA helped me out by providing the dancers with all their gear and it is now up and doing the internet rounds!

The dancers are ace and I love the track!

eddie musicuk wants to give you some E4 loving

2010-07-17T15:35:00.001-07:00

PLEASE GO TO THE LINK BELOW AND VOTE FOR MY FAVOURITE BAND "EDDIE"

http://www.e4.com/Hollyoaks/doitandwin/2KDvwwxNsoeoP2HCny7tZm/vote.e4

VOTE VOTE VOTE

THEY ARE AMAZING AND LOVELY AND WILL ROCK THE WORLD OF POP

PLUS I STYLE THEM SO THEY LOOK FIERCE!

xxxxxxxxxxxxxxxxxxxxxxxx

www.myspace.com/eddiemusicuk

Editor @ Large . . . RANDOM shoot DIANA VICKERS!

2010-07-07T12:21:00.000-07:00

OMG, what a day! I am totally beyond exhausted!!

(me interviewing Diana Vickers!)

Today we did our big celeb spread and cover for the September Issue and having filled a seven seater car with clothes and one little assistant in the form of the lovely Ella, it was off to ROMFORD!

(Is that a cover shot happening?!)

Why Romford you ask? Apparently its the only place that has a working ice rink in the summer months! Who knew!?

(my assistant Ella practicing skating)

We rocked up and we started to unpack, naturally I took up the most room, I really can't help it, I don't travel to a shoot light!

I had some lovely archive pieces from Jacob Kimmie (see ribbon waspie below)

and then some AW10 pieces from Harriet's Muse, Jaeger Boutique, Next, Miss Selfridge, Topshop, Lall London, Ada Zanditon and many more!!

(Diana's skates for the day)

Bling came from a number of independent designers as well as brands like Freedom @ Topshop and TOUS.

(Ella taking pics and Make up artist Martina with her assistant)

I loved all the looks today! We shot Diana on an ice rink, being all glamorous while she had these burly ice hockey places around her all bashed up. It really worked!

(Diana on the bench)

My favourite pieces were the Ribbon Train Waspie Belt by Jacob Kimmie and the skull ring by TOUS.

(I know I said I'd stay off the ice but . . . )

The piece de resistance came from Jeffery Michael Baker Design, who made a bespoke dress for Diana for the cover of RANDOM! In order to see it though, you will have to wait till September!!

(Tomo bossing everyone about!)

Also in the issue my exclusive interview with this perfect pop princess, who calls everyone pet, is gorgeous in the flesh and really sweet!!

(MUA and Hair man! - Martina (or Martini?) and Timmi)

I luv THE VICKERS!

Editor @ Large . . . Distractions!

2010-06-29T11:33:00.001-07:00

This heat is insane! Finally got the internet to work in my bedroom so can finally type from my bed, soooo sex and the city! Well more overheated, cup of tea and fan in the city but never mind!

Today I am so distracted it's unreal! Im sifting through AW10 stuff and am mainly falling head over hills in LOVE with Miss Selfridge's dresses and surfing the next for a shortish t-shirt dress to wear under all the impractical see through things I have recently purchased!

Im pumping out from my speakers my gorgeous girl EDDIE and chilling to Owen Cutts (going to be mega by next year and then bopping to Sterling8, another name to watch, click on the names to go to the myspaces!

Keep cool (its all about the ice cream in this heat!)

Editor @ Large . . . RANDOM ISSUE 3.1

2010-06-27T13:31:00.000-07:00

Thursday night saw all our RANDOMers turn up for the Issue 3.1 party!

Keeping it Shoreditch we decided to host the party at the recently crowned, 'Bar of the Year' McQueens.

Upon arrival our guests were treated to Russian Standard Vodka cocktails that were fruit punch-esque, perfect as the weather was scorching and we all poured onto the street to sip our drinks!

Here are two of the latest RANDOM magazine fans!

Fashion Assistant to Charlotte Stockdale, Isabel in all white and Idol Magazine's Bianca pulling a pose!

Downstairs in the super air-con basement we danced to some tunes!

While upstairs Alex Prinz - Prince of East and RANDOM's 'Man About Town' absolutely smashed his DJ set upstairs! When he was finished we were all desperate for more!

Party sponsorship and goodie bags in the shape of giant pills came from Fly53!

My tired feet in my huge shoes as I sat on the pavement outside trying to get some air!

A good night!! GO BUY ISSUE 3.1 of RANDOM - OUT NOW IN ALL MAJOR WHSMITH's!

Editor @ large

2010-06-24T07:20:00.000-07:00

I love this trench coat! Miss selfridge aw10
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Editor @ large

2010-06-24T07:16:00.000-07:00

Flight jacket and muff : miss selfridge aw10
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Editor @ Large ... Miss Selfridge Press Day

2010-06-24T06:54:00.000-07:00

Miss Selfridge collection AW10 is HOT!
The collection is so vintage! It looks just like a boutique collection, so not high street.
While topshop will prob be imitating trends, Miss Selfridge will be creating them. The coats were divine and they have the best high street party dresses. It was all pure class!

So many bugle beads and sequins! Lots of chiffon and the cuts were simple but elegant.
Start saving! As you'll want more than one.
I love the faux fur trim mac.
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Editor @ Large . . . Shoreditch House - ROOF

2010-06-17T15:36:00.000-07:00

Sometimes the perks of my job make it ALL worthwhile. Monday was one of those nights.

Having caught the De Montfort graduate Contours show (more of which another time) it was a race against time to get to Shoreditch House for FASHBASHSOUNDCLASH as we were told the guest list was pretty chokka and it was a night not to be missed.

(The roof)

Used to nights in the Biscuit Tin room, I hadn't counted on being able to party the night away on the roof.

(Jeffrey Michael Designs and Mia)

By the time we arrived it was already pretty full and after a fruity cocktail we were to network.

Catching up with friends, drinking and dancing, the night was in full swing.

As the DJs pumped out tunes we danced on the faux green grass dance floor!

One of the DJ's

(DJ Nikki's amazing Louboutin flats!)

DJ Nikki is the Sound Clash to the Fash Bash (Wale) and she was definitely knocking out the tunes, with live performances during the set from artists like Lingo Scott - Didn't know this guy before tonight, but I'm off to find out more, he was wikid.

We couldn't help notice that Nikki was a pretty snappy dresser! Check out those studded Louboutins!

(DJ Nikki's amazing headphones!! - will she have light up ones for Glasto?)

Overheard: Jeffrey Michael Baker - light designer / costume genius chatting to Nikki about lighting up her ears!

(The girls from Idol Magazine and Isabel 'Vogue Intern' on the end in white)

A party is no party with out girls to dance with! During GFW RANDOM met IDOL mag and we've been together dancing ever since!

Isabel on the end works for the amazing stylist Catherine Stockdale and is one crazy dancer!

(Isabel in a stolen pair of specs) - don't she look cute?!

(The view from our bed)

Now if you've not been to the ROOF! Well let me tell you it's amazing. There is an outdoor pool with loungers, a covered area that resembles a beach bar shack and then on the patio there are BEDS! YESSSS BEDS! The view from which is amazing! All the concrete jungle of London's East End looks like lamps!!

We all snuggled on the beds under gas lamps and rugs to keep warm!

Idol Mag's Bianca, Lingo Scott (who was in the middle of a set!) and yes Isabel!

Bianca and Isabel met last week at GFW and move in together in a week, yes grad fashion week can change lives!! These two crazy party girls need their own show. You've seen 'The Hills' meet . . . 'The Smoke'

(Dj Nikki with Isabel) two cool chicks!

Well, that was a hell of a night and as we departed I realised that Shoreditch House is cool because its totally unsnobby. While everyone does seem to have money (drinks are expensive!) there are no extensions in sight! Dungarees and no shoes are just as welcomed as the latest mini and heels!

I want to live on the roof!!

The Gala

2010-06-10T17:47:00.001-07:00

The Gala show at GFW turns out to be the student alternative of the BAFTA's. This means that everyone gets that lil bit more dressed up, the paved entrance to Earls Court gets the full red (well pink) carpet treatment, complete with metal barriers (to keep the non-existent fans at bay) and well quite frankly it becomes a bit of a celeb fest!

The press room was brimming with famous faces. Erin O'Connor, who was working the room in bare foot looked fab in a silver beaded jacket, while Nicola Roberts from Girls Aloud, looked frightfully tiny but fashionista in a black and gold Vivienne Westwood number. Zandra Rhodes dazzled in purple and pinks hues, while Elle editor Lorraine Candy kept it chic in a black Prada number. As if that wasn't enough Biba stood chatting to Eley of Eley Kishimoto and Rachel Stevens and fellow Popstar Amelle from the Sugababes were spotted in the press room.

But obviously this was all about the graduates and the auditorium quickly filled up. With Ashely Banjo being GFW face of River Island, it was no surprise that Diversity opened the show. They wowed the crowed with their creative dance routine and put us all in the party mood!

Before the main catwalk show and awards, it was time to honour those students that normally get passed over. Those that choose to study fashion marketing, promotion, media and the like often don't end up with kudos that is showered onto design students so it was nice to see them getting recognised.

Bournemouth graduate Ellie Mountford scooped the Fashion, Promotion and Media prize, while Jessica Dance waltzed off (sorry I couldn't resist) with the Creative Marketing award.

Nathalie Murray walked away with the Textile Award, while fellow Northumbria graduate Alice Barnes took home the Hachette Media and Design award. Northumbria had an excellent night as Amy Quickfall got the Strategic Marketing Award.

Luckily several other Universities didn't leave empty handed. Colchester took home two trophies, with Ellen Devall winning the First Word Journalism prize and Kitty Keay receiving the Mulberry Accesories Award presented by non other than Creative Director of Mulberry, Emma Hill, who simple adored Kitty's bags.

Then it was Marie Clare Editor Trish McEvoy's turn at the stand who presented the first 'Inspiration' award, voted online for by students graduating from the 22 GFW Uni's. Unsurprisingly the winner was Lee Alexander McQueen, with the award being picked up by his CEO, it was no shock that this creative talent touched so many, he inspired rebellion and beauty, something many design students struggle for.

There was an awkward moment, when GFW awarded high street retailer River Island, essentially for 'Services to the High Street', but really it was a way of saying cheers for all the money to put this on!

We moved swiftly on to the catwalk stage. This year there were European Universities in the line up and a seperate International Collection of the Year, which went to Roya Hesam (Amsterdam Institute), which I reviewed earlier in the week.

The BHM Visionary Knitwear Award went to Ledina Zhang, taking Northumbria's award total up a notch and into the lead.

The Zandra Rhodes Catwalk Textile Prize unsurprisingly went to Anna Lee (De Montfort), who although I heard one journalist describe as "Ed Hardy on crack" due to its vibrancy and Chinese Dragon subject matter, the colours (orange and turquoise hues) were so vibrant and the mix of print velvet and silks didn't ensure that this collection was unforgettable.

The womenswear collection of the year went to my personal favourite Rhea Fields (Northbrook), who's latex suit jacket was so ingenius.
Menswear collection of the year went to Tim Crisp (Ravensbourne) who again was another favourite earlier in the week.

Finally the coveted River Island Gold Award that sees the winner walk away with £20,000 went to Manchester Met graduate Rebecca Thompson who's androgynous collection that had a strong '1800's' feel to it, that comprised of tailored trousers and intricately designed shirting, reminded me of Viktor and Rolf.
Under gold confetti, Rebecca took her walk of fame down the catwalk and the evening came to a close. It was off to the after party for drinks, tiny canapes and lots of dancing.
Cheerio graduates of 2010, let's see if 2011 can top you?

Rivkie Baum

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Northhampton

2010-06-08T17:18:00.001-07:00

Unfortunately for me this is my last show! Sob!
Northampton students bucked the trends tonight for fetish and clown and instead there were some interesting and well cut pieces.

Laurell Wilding presented felted wool coats with ruched backs and sleeves that were so thick in gathering they had a pleated 3D effect.

Alice Cleary utilised traditional white cottons to create shirting, playsuits and high waisted skirts that were overlayed with laser cut cottons that gave a lace effect. It had a hippie, 60's feel and the little peplums were so cute.

Olivia Brodman leather work in grey and blue hues with tasseled upper arms were very cool and reminded me of menswear designer Dimitri Stavrou's graduate MA collection of 2009. Again I like the mixture of leathers with soft jersey pieces and tassels mixing hard and soft and creating texture.

Amy Robinson showed a grungy hippie collection that was extremely wearable and wouldn't look out of place in Topshop's basement designer section. Again laser cutting was the key and the rose style cuts done by perforated cut outs was really effective. I loved the wool lined biker waistcoat and the combination of dusky pink, icey blue and black.

Alex Newton's 50's full skirts with full tulle underneath came in a host of block painted prints in green, pink, cream and black. Cropped biker jackets also came in these key tones, as well as front wrap skirts and shift dresses. It was a really cohesive body of work.

Finally menswear came from Garry Butterfield who showed great textile techniques with his stitched embellished leathers and fur. I loved the fur draped coat, the tan leather jacket with black stitching and the red leather harem trouser and shorts. Trousers had pleated/gathered waists and the taupe, brown and green palette really gave the collection a rustic feel.

Well that's me done, good luck class of 2010!

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Manchester Met

2010-06-08T10:47:00.000-07:00

The menswear. By Penny Armstrong was really fun. Graphic printed trousers, cropped below the knee, with fringed mesh (chicken wire-like) shirting and trousers, this was a fairly futuristic yet playful collection. Knitted loops embellished a jacket to create an oversized, semi cocoon shape, while the royal blue, red and grey palette worked perfectly with the mosaic graphic.

Caroline Mead's menswear however was full of heritage styling of plaid checks in mohair, maxi jumpers that swept the ground and pulleys that drew garments in creating balloon effects.

The menswear at Manchester was strong and Rebecca Neary's built in back pack jackets were well constructed and though not a new idea, a fun one nonetheless. I really liked the inky prints and the patchy dyes of the jackets in various blue tones. Whether leggings will catch on for boys or not, Neary is feeling the cream wool kind.
The strapped on multi gas mask inspired bags were cool, although I'd never find anything in them!

I loved Jessica Nicol's multi sleeve jackets that built up to look like walking pom poms. Hands were key and the white hand cut outs that dropped down created black shadow hands underneath. It was a clever concept.

Tulled chiffon also intrigued Poppy Warwicker Le- Breton who combined big ruffled top structures with snake charmer basket style skirts, they were huge knits and showed great skill.

This reflected well with Michael Bolton-Heaton's origami pom-pom skirts that added dimension to body con jersey tops with racer back panelling and cut outs.

Finally Sophie Blennerhassett's mis-matched, layered and raised knits teamed with chiffons in a host of navy, grey and chatreusse green were fun and eclectic. I loved the city shorts and the skinny ankle swinging trousers.

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Bournemouth

2010-06-08T10:31:00.001-07:00

Firstly congrats Bournemouth on the most comprehensive order list. The running order came complete in a book, with sketches! This made it super easy for us press people.

Eleanor Mountfort's collection reminded me of D&G SS10, denim body suits over wide leg trousers in caramel and soft side drapes into peg legs. Oversized rose prints in dusky pink, cream, brown and navy made this a calming yet wearable collection.

Mariya Shulga followed with her 'Resurrection' collection. A balance between beauty and decay I adored the smash brick prints that adorned catsuits, tees and stretch dresses. There were shoulder pieces in leather and cage structure accessories and one sleeved wrap coats that had smash glass prints. It was all uber cool.

Anna Tiesten showed a selection of childrenswear that made the audience cheer with delight and the actual collection was as cute as the models. Pastel pink shorts and map printed shirts for girls and a mini Cath Kidson-esque printed jacket for boys was gorgeous and beautifully made.

I really liked Roxanne Newman's collection of dresses that featured laser cut overlays, chandelier skirts, bubble hems and perspex jewellery. The woven leather front of the chandelier skirt was divine a real juxtaposition of modern versus ancient.

Emily Sharp's foam dresses in black and white were as sweet as the liquorice allsorts printed on them! Curved petal collars and cone shapes were used as embellishments. It really was very cute and the mini childrenswear clothes were lovely.

Mel Austin was probably my favourite, I loved the delicate fringed dresses, the fringes were vertical and looked like draped shreds. Neck pieces of leather worked leaves, over layed into sculpture format was just as gorgeous and the cropped sleeve jacket of the same embellishment was well produced. Duck egg blue and cream tones added to the serenity. While splashes of lilac and mauve added a pop of colour.
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Nottingham Trent

2010-06-08T09:23:00.001-07:00

This was to be a biggie. With 24 students to show I definitely needed to pace myself!
Samantha Bern's collection of soft silk and chiffon seperates was calming, well constructed and detailed. Pleat fronted, full trousers with sheer shirting with a ditzy, floaty print that reminded me of dandelions was grey on a cream base. A pleated front shirt jacket floated effortlessly down the runway and the turn up shorts looked totally elegant.
The grey toned palette added to the calming nature.

The knitwear at Nottingham was excellent. Emma Philpot's collection of crochet knits in grey and red were so well crafted. There were cowl hems, pomcho style tops and body con dresses. It balanced interest and commercial ability well.

Martha Ingle was the first menswear collection to show and I loved the kaleidoscope effect print. It was very sports chic and the hoodies and slim leg trousers made them look like action men. It was an interesting print but still really wearable.

Tiffany William's menswear focused on knit and was slightly more out-there. Knitted tunic boys? Or how about a jumper dress? I loved the woven in gold to the chunky raised knits.

My favourite collection came from Heewon Park which combined cobweb knits and stitching detail on chiffon. Velvet pleating and chiffon, sculpted knit panels on sleeves and embellishments in pale green, black and cream.

There were strong leather pieces from Thalia Goodwin and striking marble explosion prints from Jenna Harvey. The show ended with Shinsuke Mitsuoka's fetish inspired pieces in high shine black, massive silver, Gaga shoulders and draped chains. Fetish has been key in the students show and Nottingham offered a contemporary if not tinged with space version.

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Liverpool

2010-06-08T06:06:00.001-07:00

Elly Arif kicked off Liverpool for me. It was a menswear collection that had a distinctly historic Barbour feel. In hues of khaki and brown, it was very rural heritage and the macs and coats were well executed. I loved the 3D bib front shirt that had a bib pleating out from the bottom creating a cube like effect. The collection closed with a navy jumpsuit with pleated front, a menswear trend I so want to happen!

Michelle McGreavy brought me back into the zone with her fantastic womenswear collection. It was very architectural but concentrated on curved lines and silhouettes rather than angles. Big triple layered collars and stand up circular ones looked cozy in a mix of wool and leather, while the opening semi circle panelled skirt reminded me of Bernard Chandran.

There were further menswear shows from Emily Bennion who had pleated fold front trousers that fell into well balanced peg legs as well as cropped trousers cuffed and at the knee. Layered sheer tees with skinny waistcoats or well tailored jackets, that were fitted and gathered at the waist.
My final favourite was Chima Ohajura who's white body con silhouettes were juxtaposed by crinoline cage like structures that adorned shoulders and hips they were very petal like, twisted with wires and so delicate off set by huge perspex shoes.
A solid show

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